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The Bed in Art: From Titian to Emin
The bed has been the subject of multiple explorations in art, representing an ambiguous realm between something personal, intimate, and yet common to all. Most often associated with passion, throughout history the bed has also been linked to childhood, death, disease and other more unseemly acts.
In this live HENI Talk, made in collaboration with The Arts Society, Dr. Marie-Anne Mancio investigates some of the scintillating examples of 'The Bed in Art', ranging from Renaissance master Titian's stunning Venus d'Urbino, through Manet's illustrious Olympia, which shocked the Paris Salon of 1865, and Tracey Emin's infamous My Bed, a scatological work shortlisted for the Turner Prize in 1999, which remains a succès d'scandale and staple of modern art.
Time Period:
Various
Themes:
Dr Marie-Anne Mancio trained as an artist before gaining a PhD in Art and Critical Theory from the University of Sussex. She has lectured in art history for City Lit, Tate Modern, the Course, Art in London, London Art Salon, Dulwich Picture Gallery, the Nth Degree Club and many private art societies; she also runs art history study tours abroad.
20:50
The Bed in Art: From Titian to Emin
Death, sex, birth, childhood. Uncover how the bed has been represented throughout art history.
24:05
Colourful Language: Red, White and Blue
Discover the symbolism, significance and spirituality of the colours red, white and blue throughout the history of art.
12:00
Gerhard Richter: Doubt
‘He disturbed my sense of what art should be.’ — Robert Storr on Gerhard Richter
20:50
Death, sex, birth, childhood. Uncover how the bed has been represented throughout art history.
24:05
Discover the symbolism, significance and spirituality of the colours red, white and blue throughout the history of art.
12:00
‘He disturbed my sense of what art should be.’ — Robert Storr on Gerhard Richter
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See how ‘Magic Matt’ inspires a group of Hackney schoolchildren with the power of art in this dynamic art history workshop on the theme of 'winter'.
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10:58
Robert Storr explores how this influential artist channelled her psychological pain to create some of the most visceral works of the twentieth century.