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Colourful Language: Red, White and Blue
This live HENI Talk, with Arts Society lecturer Alexandra Epps, explores the symbolism, significance and spirituality of the colours red, white and blue throughout the history of art, drawing upon the oeuvres of some of the most famous colourists. Experience the lustrous red of Pre-Raphaelite red hair; the cool white of Brueghel's snow; the secret power of Yves Klein's blue and Mondrian's dynamic combination of all three.
Time Period:
Various
Themes:
Alexandra Epps is an official Guide and Lecturer at Tate Modern, Tate Britain, Guildhall Art Gallery and Pallant House Gallery. She is an Art History Tutor at City Lit Institute and a qualified Guide to the City of London, offering lectures and walks about many aspects of the arts for societies, corporations and private individuals. She is a member of the City of London Guide Lecturers Association, and co-author of the book Lord Mayor's Portraits 1983-2014 (2015). Alexandra's background is in design having practised as a graphic designer running her own design consultancy for many years.
20:50
The Bed in Art: From Titian to Emin
Death, sex, birth, childhood. Uncover how the bed has been represented throughout art history.
25:39
Go Crystal Tears: The Art of Melancholy
A survey into why and how artists have portrayed the melancholic throughout art history, with accompanying lute music.
1:19
1 Minute 1 Work: Gerhard Richter, Ema (Nude on a Staircase), 1966
Writer Robert Storr examines Gerhard Richter’s ‘dissenting’ painting ‘Ema (Nude on a Staircase)’.
20:50
Death, sex, birth, childhood. Uncover how the bed has been represented throughout art history.
25:39
A survey into why and how artists have portrayed the melancholic throughout art history, with accompanying lute music.
1:19
Writer Robert Storr examines Gerhard Richter’s ‘dissenting’ painting ‘Ema (Nude on a Staircase)’.
10:58
Discover the mesmerising mathematical phenomenon of moiré in Conrad Shawcross’s monumental works.
7:23
Gus Casely-Hayford reveals the secrets of a West African ivory mask created over 500 years ago, depicting a 'steely and ruthless' queen mother.
1:10
Curator Vincent Honoré reflects on David Wojnarowicz's final film, produced at ‘the climax of the aids crisis’.