Home
Talks
The Secrets of the Witham Shield
In the early 19th century, a striking Celtic treasure was dredged-up from a river in Lincolnshire: The Witham Shield.
British Museum curator Julia Farley talks about one of her favourite objects in the museum's collection — a highly decorative shield named after the river in which it was found. At over 2,000 years old, the shield was a remarkable find, but Farley posits that it was also exceptional in its time. She encourages us to take a closer look at the shield to see some of its surreptitious and beastly little secrets. Through teaching our eyes to see the subtly encoded messages in such objects one gains insight into Britain's Celtic past, and how this visual language persists through the ages. Farley shows us how this is not just a decorative art, but a powerful art.
Time Period:
300 BC - 300 AD
Themes:
Julia Farley is responsible for the British and continental European Iron Age collections at the British Museum.
Her research interests include craft and production, especially metalwork and metalworking technologies, Iron Age ritual and depositional practices, and the colonial encounter between communities in Iron Age Britain and the Roman world. She was lead curator on the major British Museum exhibition, Celts: Art and Identity (September 2015 -- January 2016), organised in partnership with National Museums Scotland, and contributed to and co-edited the associated exhibition catalogue.
Julia completed her PhD at the University of Leicester in 2012, under the supervision of Prof. Colin Haselgrove. As part of her PhD research, she co-ordinated the scientific analysis of silver objects from the Iron Age shrine at Hallaton in East Leicestershire. Prior to joining the British Museum, she held a Leverhulme Early Career Fellowship at Leicester, researching the circulation of gold and silver in Iron Age and Roman Britain. She is currently working towards publication of the Iron Age site at Snettisham in Norfolk, with Jody Joy from the Cambridge Museum of Archaeology and Anthropology.
12:34
Maurizio Cattelan: Comedian
‘He created a sign that went beyond the border of the art world, beyond the border of the art fair, and invaded the collective imagination of the world.’ — Francesco Bonami on Maurizio Cattelan’s ‘Comedian’.
9:17
Pisa Pulpit: ‘Judge by the correct law!’
Jules Lubbock solves the puzzle of how to read Giovanni Pisano's Pisa Pulpit.
7:04
Asafo Flags: Stitches Through Time
Gus Casely-Hayford explores the ways in which Asafo Flags play a vital role in defining Fante identity and history.
12:34
‘He created a sign that went beyond the border of the art world, beyond the border of the art fair, and invaded the collective imagination of the world.’ — Francesco Bonami on Maurizio Cattelan’s ‘Comedian’.
9:17
Jules Lubbock solves the puzzle of how to read Giovanni Pisano's Pisa Pulpit.
7:04
Gus Casely-Hayford explores the ways in which Asafo Flags play a vital role in defining Fante identity and history.
8:44
Join Ashley Bickerton on the Hawaii beach where he first caught a wave to hear how a nomadic lifestyle has influenced his practice.
6:42
Articulation Alumni Lucy Miller and Oliver Garland reflect on 'Fructus' by Peter Randall-Page, exploring how the sculpture complements, juxtaposes and transforms the natural landscape in which it is placed.
6:07
Architect Lina Ghotmeh discusses, shares, and reveals the inspiration, the structure, and design of the 22nd Serpentine Pavilion.