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Building Fleet Street: The Golden Age of Newspapers
Newspapers are the flimsiest, most ephemeral of media; here today, gone tomorrow. By contrast, architecture is the most steadfast of all media. In the inter-war period, reading a daily newspaper was one of the defining customs of British life. In a bid to cement their influence in the fabric of the city, press agencies commissioned lavish headquarters. Architecture critic Edwin Heathcote considers how the grand Art Deco buildings of Fleet Street reflected the aspirations of the industry.
The printed newspaper form may be going out of fashion, but the buildings which housed them have stood the test of time.
Time Period:
20th century
Themes:
Edwin Heathcote is the architecture and design critic of The Financial Times. He is an architect and designer and the author of over a dozen books including The Meaning of Home (2012). He is also the founder and editor-in-chief of online design writing archive Readingdesign.org and a columnist and contributor to a number of magazines, including GQ and Icon.
09:34
Inside Cosmic House: A Postmodern Icon
Charles Jencks’ Cosmic House is the architectural historian’s “built manifesto of Postmodernism”.
13:53
Richard Westmacott’s Pediment Sculptures for the British Museum
British Museum Director Hartwig Fischer reflects on the story and inspiration behind Sir Richard Westmacott’s pediment sculptures.
12:27
Subversive Dreams under the Soviet Regime: Ilya and Emilia Kabakov
Robert Storr tells the story of an artist couple born under the Soviet Regime.
09:34
Charles Jencks’ Cosmic House is the architectural historian’s “built manifesto of Postmodernism”.
13:53
British Museum Director Hartwig Fischer reflects on the story and inspiration behind Sir Richard Westmacott’s pediment sculptures.
12:27
Robert Storr tells the story of an artist couple born under the Soviet Regime.
10:58
Discover the mesmerising mathematical phenomenon of moiré in Conrad Shawcross’s monumental works.
4.14
Ben Tufnell maps out a definition of Land Art.
10:56
Articulation prize winner Zach Taylor reveals the power of light and dark in Rembrandt’s self-portraits.