Titian is considered to be one of the most inspired colourists of the Renaissance. His epic paintings Diana and Actaeon and Diana and Callisto (both 1556-1559) are amongst the best-loved works in the National Gallery.
Curator Caroline Campbell talks us through the narratives of tragedy, lust and betrayal which unfold across these canvases and how the Venetian artist was inspired to paint the poetry of Ovid's Metamorphosis. These works are his attempt to represent the unruly supernatural forces of the ancient world and the strife they inflict on human beings, which remain as relevant as ever.
Time Period:
16th century
Themes:
Caroline Campbell is The Jacob Rothschild Head of the Curatorial Department and Curator of Italian Paintings before 1500 at the National Gallery. Caroline has held curatorial positions at The Courtauld Gallery, London, the National Gallery and the Ashmolean Museum, Oxford. Caroline has curated and co-curated many exhibitions, including 'Bellini and the East' (2005-2006), 'Love and Marriage in Renaissance Florence' (2009); 'Building the Picture: Architecture in Italian Renaissance Painting' (2014) and 'Duccio/Caro: In Dialogue' (2015). She is curating the 'Mantegna and Bellini' exhibition that opens at the National Gallery in the autumn of 2018.
1:16
1 Minute 1 Work: The Sake-drinking Boy
Shantell Martin shares her admiration for Hishikawa Moronobu’s inspiring use of line.
12:13
Faith and Doubt in Art
Julian Spalding discusses the impact of religious belief and spiritual doubt on paintings across time.
6:42
HENI Talks x Articulation: Peter Randall-Page, 'Fructus'
Articulation Alumni Lucy Miller and Oliver Garland reflect on 'Fructus' by Peter Randall-Page, exploring how the sculpture complements, juxtaposes and transforms the natural landscape in which it is placed.
1:16
Shantell Martin shares her admiration for Hishikawa Moronobu’s inspiring use of line.
12:13
Julian Spalding discusses the impact of religious belief and spiritual doubt on paintings across time.
6:42
Articulation Alumni Lucy Miller and Oliver Garland reflect on 'Fructus' by Peter Randall-Page, exploring how the sculpture complements, juxtaposes and transforms the natural landscape in which it is placed.
9:08
Tristram Hunt traces how Josiah Wedgwood changed the face of the decorative arts in Britain with his ambitious pottery designs.
6:41
Qabir Alli and Marianne Whiting — alumni of the Articulation Prize — discuss Barbara Hepworth’s ‘Family of Man’.
1:22:59
Damien Hirst’s ‘Treasures from the Wreck of the Unbelievable’ reveals the fascinating story of the discovery and excavation of an ancient shipwreck.