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Ryan Gander's Scarborough Sculpture
Drawing attention to the urgency of the climate crisis, Ryan Gander’s dolos-shaped sculpture awaits a covering of snow to achieve its complete form, inviting viewers to reflect on the effect of human actions in the present on the planet’s future.
'A Modernist alien’ positioned high on the cliffs of the ancient North Yorkshire coast, Ryan Gander’s ‘We Are Only Human (Incomplete Sculpture for Scarborough to be Finished by Snow)’ (2022) is the poignant subject of this film, led by Dr. Jeanine Griffin.
Time Period:
21st century
Dr Jeanine Griffin is a curator and researcher with over 20 years experience curating for gallery, public realm and contemporary art festival contexts. She is an associate curator at Invisible Dust, chair of the board of Bloc Projects and recently completed a practice-based PhD in curating at Sheffield Hallam University.
From 2013-16 she was Reader in Contemporary Curatorial Practice at Lincoln University and initiated and curated the Gymnasium commissioning programme. She has also been an Associate Lecturer at Sheffield Hallam University and Nottingham Trent University. She was Artistic Director of Sheffield Contemporary Art Forum, initiating and running the Art Sheffield festivals (2003, 2005, 2008 and 2010) and Deputy Director at Site Gallery, Sheffield, where she curated 13 exhibitions and programmed and project-managed many more. She edited and managed The Sheffield Pavilion projects which launched at the Venice Biennale and Istanbul Biennial. She has written for and edited many catalogues and publications including an essay in a monograph on Roman Ondak to accompany his representation of Slovakia in the Venice Biennale 2009, the Gymnasium publication (2016) with essays on Ruth Ewan, Annika Eriksson and Raqs Media Collective and Writing Tests (2021).
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William Hogarth and the Foundling Hospital
Discover how William Hogarth's work with the Foundling Hospital laid the foundations for the contemporary British art scene.
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Godfrey Worsdale explores the bucolic epicentre of Moore's creative production: Perry Green.
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What is contemporary art? Why is it so hard to define? Ralph Rugoff argues that Marcel Duchamp is to thank - or to blame.
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Discover how William Hogarth's work with the Foundling Hospital laid the foundations for the contemporary British art scene.
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Gregg Bordowitz explores the work of Glenn Ligon through the lens of his highly charged painting ‘Untitled (I Am A Man)’, 1988.
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