The story of Greek ceramics continues with a revolution in pottery. Around 530 BC, Athenian potters began turning the familiar world of black-figure decoration on its head, creating the extraordinary red-figure vessels that would come to define Classical Greek ceramics.
Stephanie Rozene and Paul Greenhalgh explore the potters, workshops and innovations behind this transformation, and discover how ceramics became part of everyday Greek life – from wine-drinking symposia to sporting prizes and simple household wares. As Greek influence spreads across the Mediterranean, so too do its ceramic traditions, before a new power emerges: Rome. Yet conquest would not bring the story to an end. The Romans absorbed and reinvented Greek forms, ensuring their influence would survive for centuries.
Featured Artworks:
Black Figure Amphore, Attributed to Group E (British Museum, CC BY-NC-SA 4.0)
Red Figure amphora, signed by Andokides, c.530 BCE
Terracotta amphora (jar)
Red Figure bell krater, Anonymous, often referred to as by the Berlin Painter, Greek, c.480 BCE, Louvre Museum.
Anonymous, possibly Apulian, possibly Boeotian, 480 BCE
Francois Vase, Black Figure krater, decorated by Kleitias, made by Ergotimos, Greek, 570-560 BCE, Archaeological Museum, Florence. (CC 3.0)
Terracotta kyathos (cup-shaped ladle), Attributed to the Group of Berlin 2095, c. 530–500 BCE
Terracotta amphora (jar), Attributed to the Orvieto Painter, c. 540 BCE
Small terracotta amphora (jar), Greek, Attic, c. 800–750 BCE
Terracotta neck-amphora (storage jar), Greek, Corinthian, c. 620–590 BCE
Terracotta neck-amphora (jar), Attributed to the Edinburgh Painter, c. 500 BCE
Terracotta neck-amphora (jar) with lid and knob (27.16), Attributed to Exekias, c. 540 BCE
Terracotta lekythos (oil flask), Attributed to the Amasis Painter, c. 550–530 BCE
Terracotta column-krater (bowl for mixing wine and water), Attributed to Lydos, c. 550 BCE
Terracotta Nolan neck-amphora (jar), Attributed to the Ethiop Painter, c. 450 BCE
Terracotta neck-amphora (jar) with twisted handles, Attributed to the Lykaon Painter, c. 440 BCE
Terracotta amphora (jar), Attributed to the Berlin Painter, c. 490 BCE
Terracotta skyphos (deep drinking cup), Greek, Attic mid-5th century BCE
Professor Paul Greenhalgh is a specialist on the art and design of the Modern period. He has written widely on Art Nouveau and curated several exhibitions including the major survey Art Nouveau 1890-1914, which toured internationally (2000-01). His books include Ephemeral Vistas (1988), Modernism in Design (1990), Art Nouveau 1890–1914 (2000), The Modern Ideal (2005), Fair World (2011), L’Art Nouveau: La Revolution Decorative (2013), Ceramic Art and Civilisation (2021) and Pablo Picasso: The Legacy of Youth (2022). He has held positions as Head of Research at the V&A Museum, London; President and Director at the Corcoran Gallery of Art, Washington DC; Director of the Sainsbury Centre, Norwich; and Inaugural Director of the Zaha Hadid Foundation, London. He was born and raised in Bolton, and is a proud Lancastrian.
Stephanie Rozene is a ceramic artist, Professor of Art, and the Ceramics Program Coordinator at Hartwick College in Oneonta, New York she has been teaching, writing and making art since 2004. At Hartwick she's been honored with the Wandersee Scholar in Residence award twice, along with the Teacher Scholar Award. Stephanie's research uses historical ornament and porcelain as a visual language to critique contemporary political rhetoric, and she also explores the history of clay as a cooking tool. Her work has been shown extensively both nationally and internationally. She is a member of the International Academy of Ceramics and is the Vice President of the board of trustees for the Watershed Center for Ceramic Arts in Newcastle, Maine, and was educated at NSCAD University in Nova Scotia, Canada and the New York State College of Ceramics at Alfred University.
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Peter Voulkos - The Man Who Broke the Rules
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36:30
Peter Voulkos - A Revolution in Clay
In the second of two episodes, Stephanie Rozene and Paul Greenhalgh follow Peter Voulkos through the explosive years that transformed him from master potter into one of the most radical figures in modern ceramics.
45.29
Mesoamerica - The Maya: Gods, Myths and Ceramics (Part 1)
Journey into the world of the Classic Maya, where ceramics connected everyday life with gods, mythology and the mysteries of creation. From cooking corn and drinking cacao to ritual ball games and sacrifice, these extraordinary vessels reveal the stories and beliefs of one of Mesoamerica’s great civilisations.
46:37
How did Peter Voulkos turn pottery into sculpture?
View episode
36:30
In the second of two episodes, Stephanie Rozene and Paul Greenhalgh follow Peter Voulkos through the explosive years that transformed him from master potter into one of the most radical figures in modern ceramics.
View episode
45.29
Journey into the world of the Classic Maya, where ceramics connected everyday life with gods, mythology and the mysteries of creation. From cooking corn and drinking cacao to ritual ball games and sacrifice, these extraordinary vessels reveal the stories and beliefs of one of Mesoamerica’s great civilisations.
View episode
27.06
In this episode Paul Greenhalgh and Stephanie Rozene discover how ceramics became a sophisticated visual language. Painted with gods, symbols and stories, these extraordinary vessels carried the beliefs and rituals of Mesoamerica across cultures and vast distances.
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39.33
Stephanie Rozene and Paul Greenhalgh explore the ceramics of the Aztecs, from beautifully made redware used for everyday food to extraordinary effigy vessels and monumental terracotta figures created for ritual and sacrifice.
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02:11
The History of Ceramics brings together British art historian & curator Paul Greenhalgh and U.S. maker and academic Stephanie Rozene as they reveal the most surprising stories from this often-overlooked corner of art history.
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39:31
In this episode Paul Greenhalgh and Stephanie Rozene travel back to the earliest civilisations to find out how they created the very first ceramic objects and what that meant to the story of mankind.
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57.36
In this episode Paul Greenhalgh and Stephanie Rozene discuss the life and work of Adelaide Alsop Robineau who made the Mona Lisa of American ceramics – the Scarab Vase – that was later stolen in an audacious art heist.
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35.42
In this episode Paul Greenhalgh and Stephanie Rozene discuss the period of Picasso’s life when he became a potter, in a combination of painting and sculpture that transformed ceramics.
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