What if a pot could be read like a book?
In the second part of their journey through Mesoamerica, Stephanie Rozene and Paul Greenhalgh travel to the great ancient city of Cholula – a bustling centre of trade, pilgrimage and cultural exchange – to explore the extraordinary ceramics of the Mixtec-Puebla tradition.
Painted with gods, symbols and intricate bands of imagery, these highly prized vessels transformed clay into a sophisticated visual language that could communicate across cultures and linguistic barriers. From stories of warfare and sacrifice to sunlight, death and the worship of the gods, they reveal a world in which ceramics could be read as well as admired.
Traded across vast distances, these remarkable pots offer a glimpse into the beliefs, rituals and interconnected cultures of Mesoamerica – and lead us towards the rise of the Aztec Empire.
Map of Mixteca-Puebla and Mesoamerica, Creative Commons Map of Cholula George Vaillant, archaeologist, ca. 1937, Creative Commons, https://en.wikipedia.org/wiki/George_Clapp_Vaillant#/media/File:AMNH_staff,_1937.jpg Pyramids of the Sun, Pre-Hispanic City of Teotihuacan, Mexico, by Burkhard Mücke created by SA CC 4.0 Map of Cholula, Ttlaxcala, 1581 Pyramid of Cholula, Ca. 1813, Alexander von Humboldt Pedestal Bowl, 1300–1500 CE, Mixtec artists, The Met Collection, Public Domain Vessel with Codex-Style Scenes, Creative Commons, Mixteca-Puebla Pottery Vessel, c. 1300–1521, Codex Borgia, from the 1898 Faximilie Edition, Public Domain, Creative Commons Bowl, 1200–1400, Mixtec, Oaxaca, Mexico, National Gallery of Victoria, Public Domain Pedestal Cup from Cholula, c. 1350–1521, Public Domain, Leo Stein Collection, National Museum of the American Indian, New York. Thematic Complexes on Codex-Style Vessels from Cholula, Mixteca-Puebla, Americae, Public Domain https://creativecommons.org/licenses/by-nc-nd/4.0/ Tripod Vase Polichrome Ceramic, 1300–1521 Bowl with Rattle Base, c. 900–1519, Cleveland Museum of Art, Public Domain Censer with the Complex of Powerful Lords and Deities, Mixteca-Puebla, Americae, Public Domain https://creativecommons.org/licenses/by-nc-nd/4.0/ Codex, 1200–1521, Mixteca Whistle with the Maize God emerging from the Flower, 600 – 900 CE, The Met Collection, Public Domain Cholula-Style Ceramic Goblet with Skeletal Serpent and Mountain Sign, Mixteca-Puebla, 1300 – 1500 CE Rain God Mask, Metropolitan Museum of Art, The Met Collection, Public Domain Sun and Light Painted on Middle Polychrome Plate, https://creativecommons.org/licenses/by-nc-nd/4.0/ Polychrome Figural Vessel of Chicomecoatl, c. 1000–1500, Mixteca-Puebla Goblet with a Complex of Darkness, Ca. 1300 – 1500, Mixtec Goblet, Ca. 1000 – 1500 Polychrome Ceramic Bowl, 800–1300, Mexico, Penn Museum, Public Domain Pulque Drinking Cup, 900–1519, Cholula, Mixteca-Puebla style, Cleveland Museum of Art, Public Domain Montezuma in the Codex Mendoza, 16th century, Creative Commons, Public Domain Mixteca-Puebla Pottery Vessel, c. 1300–1521, The Met Collection, Public Domain Links on Flightcast For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks
Professor Paul Greenhalgh is a specialist on the art and design of the Modern period. He has written widely on Art Nouveau and curated several exhibitions including the major survey Art Nouveau 1890-1914, which toured internationally (2000-01). His books include Ephemeral Vistas (1988), Modernism in Design (1990), Art Nouveau 1890–1914 (2000), The Modern Ideal (2005), Fair World (2011), L’Art Nouveau: La Revolution Decorative (2013), Ceramic Art and Civilisation (2021) and Pablo Picasso: The Legacy of Youth (2022). He has held positions as Head of Research at the V&A Museum, London; President and Director at the Corcoran Gallery of Art, Washington DC; Director of the Sainsbury Centre, Norwich; and Inaugural Director of the Zaha Hadid Foundation, London. He was born and raised in Bolton, and is a proud Lancastrian.
Stephanie Rozene is a ceramic artist, Professor of Art, and the Ceramics Program Coordinator at Hartwick College in Oneonta, New York she has been teaching, writing and making art since 2004. At Hartwick she's been honored with the Wandersee Scholar in Residence award twice, along with the Teacher Scholar Award. Stephanie's research uses historical ornament and porcelain as a visual language to critique contemporary political rhetoric, and she also explores the history of clay as a cooking tool. Her work has been shown extensively both nationally and internationally. She is a member of the International Academy of Ceramics and is the Vice President of the board of trustees for the Watershed Center for Ceramic Arts in Newcastle, Maine, and was educated at NSCAD University in Nova Scotia, Canada and the New York State College of Ceramics at Alfred University.
39.33
Mesoamerica - The Aztecs: Clay, Gods and Sacrifice
Stephanie Rozene and Paul Greenhalgh explore the ceramics of the Aztecs, from beautifully made redware used for everyday food to extraordinary effigy vessels and monumental terracotta figures created for ritual and sacrifice.
02:11
Introducing The History of Ceramics
The History of Ceramics brings together British art historian & curator Paul Greenhalgh and U.S. maker and academic Stephanie Rozene as they reveal the most surprising stories from this often-overlooked corner of art history.
39:31
The First Pot
In this episode Paul Greenhalgh and Stephanie Rozene travel back to the earliest civilisations to find out how they created the very first ceramic objects and what that meant to the story of mankind.
39.33
Stephanie Rozene and Paul Greenhalgh explore the ceramics of the Aztecs, from beautifully made redware used for everyday food to extraordinary effigy vessels and monumental terracotta figures created for ritual and sacrifice.
View episode
02:11
The History of Ceramics brings together British art historian & curator Paul Greenhalgh and U.S. maker and academic Stephanie Rozene as they reveal the most surprising stories from this often-overlooked corner of art history.
View episode
39:31
In this episode Paul Greenhalgh and Stephanie Rozene travel back to the earliest civilisations to find out how they created the very first ceramic objects and what that meant to the story of mankind.
View episode
57.36
In this episode Paul Greenhalgh and Stephanie Rozene discuss the life and work of Adelaide Alsop Robineau who made the Mona Lisa of American ceramics – the Scarab Vase – that was later stolen in an audacious art heist.
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35.42
In this episode Paul Greenhalgh and Stephanie Rozene discuss the period of Picasso’s life when he became a potter, in a combination of painting and sculpture that transformed ceramics.
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38.44
In this episode Paul Greenhalgh and Stephanie Rozene travel to East Asia, to explore the complicated relations between Korea and Japan in the 16th and 17th centuries, and how this played out in the world of ceramics.
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30:40:00
In this episode Paul Greenhalgh and Stephanie Rozene dive into the story of Europe’s obsession with porcelain – otherwise known as white gold – and the race to discover its secret formula.
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45:57
In this second episode Paul Greenhalgh and Stephanie Rozene pick up the story of Europe’s obsession with porcelain and the race to discover its secret formula.
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56.22
In this episode Paul and Stephanie discuss how Louis XV and Madame de Pompadour, and Louis XVI and Marie Antoinette's passion for porcelain created one of the most famous and revered names in the history of ceramics, Sèvres.
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