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The History of Ceramics
Bernard Palissy - Obsession, Faith and Myth
Bernard Palissy was an artist, scientist, inventor and one of the most extraordinary figures in the history of ceramics. Driven by religious faith, a fascination with nature, and an obsession to discover the secret of white enamel, he devoted years to relentless experimentation, sacrificing his fortune, and burning almost everything he owned in pursuit of perfection. In this episode Paul Greenhalgh and Stephanie Rozene uncover the remarkable life of the French Renaissance potter whose distinctive rustic wares transformed European ceramics.
Featured Artwork:
Self Portrait in Faience, Bernard Palissy, 1862
Rustique figuline, attributed to Bernard Palissy, French c.1560, J. Paul Getty Museum.
‘Rustique Figuline’ Dish with a white background, Bernard Palissy, c. 1550, National Ceramic Museum
Maiolica Plate, Italian, ca. 1500, The Met Collection, Public Domain
Bowl, Majolica, Italian, 1480-1500, The V&A Collection
Dish, Bernard Palissy, 17th century, The Met Collection, Public Domain
Plaque depicting Bernard Palissy, Multiple Artists and Makers, 1846, The Met Collection, Public Domain
Pilgrim Flask, Bernard Palissy, 1556-67, The Met Collection, Public Domain
Still-life platter, Bernard Palissy, c. 1550
Dish, Bernard Palissy, c. 1580
Moule, Fragment, 16th century, Musee du Louvre
Grenouille de fontaine, Atelier de Bernard Palissy, 1565-1610, Musee du Louvre
Château de la Bâstie d'Urfé, France, 1550
Henry II, King of France, François Clouet, 1559
Catherine de' Medici, François Clouet, c. 1560
Fontaine en forme de dauphin, 1600-1650, Musee du Louvre
Ewer, Saint Porchaire Ware, c. 1550, The Met Collection, Public Domain
Mould of Palissy Basin, Musee du Louvre
Tazza with cover, Mid 16th century, The Met Collection, Public Domain
La Nourrice, Guillaume Dupré (unconfirmed), c. 1640, The Met Collection, Public Domain
Plate, Manner of Bernard Palissy, Late 19th century, The Met Collection, Public Domain
Platter, Follower of Bernard Palissy, Last Quarter 16th Century, The Met Collection, Public Domain
Platter, Manner of Bernard Palissy, 2nd half of 19th Century, The Met Collection, Public Domain
Round Plate with Lobster, Rafael Bordalo Pinheiro, 1889, The Met Collection, Public Domain
Turkey, Bordallo Pinheiro Factory,19th Century
Artichoke Jar, Bordallo Pinheiro Factory
Cabbage Ware, Bordallo Pinheiro Factory
Round Dish with Lobster and Shells, Thomas Victor-Sergent, 1870-80, The Met Collection, Public Domain
Large Basin with Snake, Ferns, and Bark, Charles-Jean Avisseau, C. 1850-55, The Met Collection, Public Domain
Professor Paul Greenhalgh is a specialist on the art and design of the Modern period. He has written widely on Art Nouveau and curated several exhibitions including the major survey Art Nouveau 1890-1914, which toured internationally (2000-01). His books include Ephemeral Vistas (1988), Modernism in Design (1990), Art Nouveau 1890–1914 (2000), The Modern Ideal (2005), Fair World (2011), L’Art Nouveau: La Revolution Decorative (2013), Ceramic Art and Civilisation (2021) and Pablo Picasso: The Legacy of Youth (2022). He has held positions as Head of Research at the V&A Museum, London; President and Director at the Corcoran Gallery of Art, Washington DC; Director of the Sainsbury Centre, Norwich; and Inaugural Director of the Zaha Hadid Foundation, London. He was born and raised in Bolton, and is a proud Lancastrian.
Stephanie Rozene is a ceramic artist, Professor of Art, and the Ceramics Program Coordinator at Hartwick College in Oneonta, New York she has been teaching, writing and making art since 2004. At Hartwick she's been honored with the Wandersee Scholar in Residence award twice, along with the Teacher Scholar Award. Stephanie's research uses historical ornament and porcelain as a visual language to critique contemporary political rhetoric, and she also explores the history of clay as a cooking tool. Her work has been shown extensively both nationally and internationally. She is a member of the International Academy of Ceramics and is the Vice President of the board of trustees for the Watershed Center for Ceramic Arts in Newcastle, Maine, and was educated at NSCAD University in Nova Scotia, Canada and the New York State College of Ceramics at Alfred University.
38:40
Secrets of The Japanese Tea Ceremony
This episode traces the birth of the Ancient Japanese tea ceremony and the aesthetic of wabi-sabi, or the art of finding beauty in imperfection. A tale of philosophy, political power, and two tea masters who paid for their art with their lives.
02:11
Introducing The History of Ceramics
The History of Ceramics brings together British art historian & curator Paul Greenhalgh and U.S. maker and academic Stephanie Rozene as they reveal the most surprising stories from this often-overlooked corner of art history.
39:31
The First Pot
In this episode Paul Greenhalgh and Stephanie Rozene travel back to the earliest civilisations to find out how they created the very first ceramic objects and what that meant to the story of mankind.