Secret Formula - The Race for Porcelain (Part 2)
How did an alchemist discover the recipe for porcelain? And why did his discovery ultimately drive him mad? Join Paul Greenhalgh and Stephanie Rozene as they pick up the story of Europe’s obsession with porcelain and the race to discover its secret formula. Stranger than fiction, this is another great story in the history of ceramics.
Ceramics and artwork in this week’s episode include:
King Augustus II the Strong, 1670–1733
Johann Friedrich Böttger, 1682–1719
Friedrich Zorn, 1711–89
King Frederick I of Prussia, 1657–1713
Ehrenfried Walther von Tschirnhaus, 1651–1708
Plate, Circa 1730–35, Meissen Manufactory Courtesy of The Met Collection
Vase with cover, 1725, Meissen Manufactory Courtesy of The Met Collection
Vase, 1710 –13, Meissen Manufactory Courtesy of The Met Collection
Tea caddy, 1710 –13, Meissen Manufactory
Professor Paul Greenhalgh is a specialist on the art and design of the Modern period. He has written widely on Art Nouveau and curated several exhibitions including the major survey Art Nouveau 1890-1914, which toured internationally (2000-01). His books include Ephemeral Vistas (1988), Modernism in Design (1990), Art Nouveau 1890–1914 (2000), The Modern Ideal (2005), Fair World (2011), L’Art Nouveau: La Revolution Decorative (2013), Ceramic Art and Civilisation (2021) and Pablo Picasso: The Legacy of Youth (2022). He has held positions as Head of Research at the V&A Museum, London; President and Director at the Corcoran Gallery of Art, Washington DC; Director of the Sainsbury Centre, Norwich; and Inaugural Director of the Zaha Hadid Foundation, London. He was born and raised in Bolton, and is a proud Lancastrian.
Stephanie Rozene is a ceramic artist, Professor of Art, and the Ceramics Program Coordinator at Hartwick College in Oneonta, New York she has been teaching, writing and making art since 2004. At Hartwick she's been honored with the Wandersee Scholar in Residence award twice, along with the Teacher Scholar Award. Stephanie's research uses historical ornament and porcelain as a visual language to critique contemporary political rhetoric, and she also explores the history of clay as a cooking tool. Her work has been shown extensively both nationally and internationally. She is a member of the International Academy of Ceramics and is the Vice President of the board of trustees for the Watershed Center for Ceramic Arts in Newcastle, Maine, and was educated at NSCAD University in Nova Scotia, Canada and the New York State College of Ceramics at Alfred University.
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