Robert Arneson - Funk Art
Join Stephanie Rozene and guest Garth Johnson as they travel to the West Coast of the USA in 1967 when a show named Funk would showcase ceramics as a provokative art form. Using humour, satire, colour and shock these Funk artists critiqued the world around them and changed ceramics forever. No longer utilitarian vessels - this was art that shocked.
Robert Arneson Images:
Banded White Bottle, 1958, Robert Arneson
Spouted Footed Vase, 1959, Robert Arneson
No Deposit, No Return, 1961, Robert Arneson
Jack and John Trophy, 1964, Robert Arneson
His and Her’s, 1964 , Robert Arneson
John with Art, 1964, Robert Arneson
Typewriter #1 (Touch System) 1965, Robert Arneson Self Portrait of the Artists Losing His Marbles, 1965, Robert Arneson Alice House Wall, 1967, Robert Arnson Assassination of a Famous Nut Artist, 1971, Robert Arneson Portrait of George, 1981, Robert Arneson
Other Images Relax in Electric Chair (Dirty Guy),” 1965, Peter Saul Rocking Pot, 1956, Peter Voulkos, Hole in One, 1978, Peter Voulkos,
Fur Rat, 1962, Joan Brown
Cakes, 1963, Wayne Thiebaud
Professor Paul Greenhalgh is a specialist on the art and design of the Modern period. He has written widely on Art Nouveau and curated several exhibitions including the major survey Art Nouveau 1890-1914, which toured internationally (2000-01). His books include Ephemeral Vistas (1988), Modernism in Design (1990), Art Nouveau 1890–1914 (2000), The Modern Ideal (2005), Fair World (2011), L’Art Nouveau: La Revolution Decorative (2013), Ceramic Art and Civilisation (2021) and Pablo Picasso: The Legacy of Youth (2022). He has held positions as Head of Research at the V&A Museum, London; President and Director at the Corcoran Gallery of Art, Washington DC; Director of the Sainsbury Centre, Norwich; and Inaugural Director of the Zaha Hadid Foundation, London. He was born and raised in Bolton, and is a proud Lancastrian.
Stephanie Rozene is a ceramic artist, Professor of Art, and the Ceramics Program Coordinator at Hartwick College in Oneonta, New York she has been teaching, writing and making art since 2004. At Hartwick she's been honored with the Wandersee Scholar in Residence award twice, along with the Teacher Scholar Award. Stephanie's research uses historical ornament and porcelain as a visual language to critique contemporary political rhetoric, and she also explores the history of clay as a cooking tool. Her work has been shown extensively both nationally and internationally. She is a member of the International Academy of Ceramics and is the Vice President of the board of trustees for the Watershed Center for Ceramic Arts in Newcastle, Maine, and was educated at NSCAD University in Nova Scotia, Canada and the New York State College of Ceramics at Alfred University.
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