Josiah Wedgwood - Part 1
How did Wedgwood create one of the most famous ceramic companies in British history? And what fueled his obsession with science and experimentation? Join Paul Greenhalgh is joined by Sir Tristram Hunt to discuss 18th century England and the life and work of potter, scientist and abolitionist Josiah Wedgwood.
"Ceramics and artwork in this week’s episode include:
Josiah Wedgwood, 1730—17
Soup Tureen with Lid (Creamware), Circa 1770—80, Josiah Wedgwood & Sons
Terrine With Lid and Saucer (Creamware), Circa 1800—15, Josiah Wedgwood & Sons
Platter (Creamware), Circa 1780., Josiah Wedgwood & Sons
The First Day's Vase (Black Basalt), 1769, Josiah Wedgwood & Sons Courtesy of V&A Museum
Dinner Plate ‘Frog Service’, 1773, Josiah Wedgwood & Sons Courtesy of V&A Museum
Platter ‘Frog Service’, 1773—74, Josiah Wedgwood & Sons Courtesy of V&A Museum
Plate ‘Frog Service’, 1773—74, Josiah Wedgwood & Sons Courtesy of V&A Museum
"
Professor Paul Greenhalgh is a specialist on the art and design of the Modern period. He has written widely on Art Nouveau and curated several exhibitions including the major survey Art Nouveau 1890-1914, which toured internationally (2000-01). His books include Ephemeral Vistas (1988), Modernism in Design (1990), Art Nouveau 1890–1914 (2000), The Modern Ideal (2005), Fair World (2011), L’Art Nouveau: La Revolution Decorative (2013), Ceramic Art and Civilisation (2021) and Pablo Picasso: The Legacy of Youth (2022). He has held positions as Head of Research at the V&A Museum, London; President and Director at the Corcoran Gallery of Art, Washington DC; Director of the Sainsbury Centre, Norwich; and Inaugural Director of the Zaha Hadid Foundation, London. He was born and raised in Bolton, and is a proud Lancastrian.
Stephanie Rozene is a ceramic artist, Professor of Art, and the Ceramics Program Coordinator at Hartwick College in Oneonta, New York she has been teaching, writing and making art since 2004. At Hartwick she's been honored with the Wandersee Scholar in Residence award twice, along with the Teacher Scholar Award. Stephanie's research uses historical ornament and porcelain as a visual language to critique contemporary political rhetoric, and she also explores the history of clay as a cooking tool. Her work has been shown extensively both nationally and internationally. She is a member of the International Academy of Ceramics and is the Vice President of the board of trustees for the Watershed Center for Ceramic Arts in Newcastle, Maine, and was educated at NSCAD University in Nova Scotia, Canada and the New York State College of Ceramics at Alfred University.
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