How did Bernard Leach turn a small pottery in St Ives into the centre of a new ceramics movement?
In the second episode of our three-part series, we follow Leach as he returns to Britain with Shōji Hamada and establishes the Leach Pottery in St Ives. We explore the challenges of those early years, the development of his distinctive approach to making, and the ideas that would eventually be captured in his influential A Potter’s Book.
As Leach’s reputation grows, so does his influence. Through teaching, writing and a new generation of apprentices, his pottery becomes a meeting place for ideas drawn from East and West.
This is the story of how Bernard Leach helped transform the status of the studio potter — and began building a movement that would reach far beyond St Ives. Featured Artworks Images and artwork in this episode: Bernard Leach 1913 early Raku Vase, The V&A Collection Photo of Bernard Leach with Shōji Hamada and Sōetsu Yanagi, 1952 St. Ives Harbour and Porthminster Beach - Cornwall – UK Cornwall - St. Ives, Back Lane - 1920's Photochrom Postcard The Leach Pottery, St. Ives, Cornwall Blueprint of “The Leach Pottery Japanese Style of climbing Kiln. Design by Tsurunosuke Matsubayashi”, 1923. Crafts Study Centre, University for the Creative Arts Grade II Listed Climbing Kiln, Leach Pottery Raku Firing Kiln Bowl, early 20’s, Bernard Leach Barbara Hepworth & Bernard Leach, 1968, St Ives Museum 1934 (relief), Ben Nicholson, 1934, Tate Shōji Hamada, 1894-1978 Tsurunosuke Matsubayashi, 1894-1932 D W & L K Elmhirst,' 1893-1970, Dartington Hall Trust Archive Two Bowls by Bernard Leach and Teabowl By Shoji Hamada Herbert Read by Mark Gerson, 1967, The National Gallery A Potters Book by Bernard Leach, 1940 Salmon Vase, Bernard leach, 1950 Slipware Plate, Bernard Leach, c. early 1930’s Early Slipware dish, Bernard Leach, c. early 1930’s Early Jar with Firing crack, Bernard Leach, c. early 1930’s, courtesy of Paul Greenhalgh Charger, 1929, Bernard Leach, courtesy of Paul Greenhalgh The Mermaid dish, 1670-1689, Thomas Toft, The V&A Collection A Dartington Pottery Salt Glazed Stoneware Flagon Photo of David Leach, 1911-2005 Teapot, David Leach and Charger, Bernard Leach, courtesy of Paul Greenhalgh Vase, c. 1959, Bernard Leach, The V&A Collection, courtesy of Paul Greenhalgh Standard Ware, c. 1941, Bernard Leach, The V&A Collection, courtesy of Paul Greenhalgh
Professor Paul Greenhalgh is a specialist on the art and design of the Modern period. He has written widely on Art Nouveau and curated several exhibitions including the major survey Art Nouveau 1890-1914, which toured internationally (2000-01). His books include Ephemeral Vistas (1988), Modernism in Design (1990), Art Nouveau 1890–1914 (2000), The Modern Ideal (2005), Fair World (2011), L’Art Nouveau: La Revolution Decorative (2013), Ceramic Art and Civilisation (2021) and Pablo Picasso: The Legacy of Youth (2022). He has held positions as Head of Research at the V&A Museum, London; President and Director at the Corcoran Gallery of Art, Washington DC; Director of the Sainsbury Centre, Norwich; and Inaugural Director of the Zaha Hadid Foundation, London. He was born and raised in Bolton, and is a proud Lancastrian.
Stephanie Rozene is a ceramic artist, Professor of Art, and the Ceramics Program Coordinator at Hartwick College in Oneonta, New York she has been teaching, writing and making art since 2004. At Hartwick she's been honored with the Wandersee Scholar in Residence award twice, along with the Teacher Scholar Award. Stephanie's research uses historical ornament and porcelain as a visual language to critique contemporary political rhetoric, and she also explores the history of clay as a cooking tool. Her work has been shown extensively both nationally and internationally. She is a member of the International Academy of Ceramics and is the Vice President of the board of trustees for the Watershed Center for Ceramic Arts in Newcastle, Maine, and was educated at NSCAD University in Nova Scotia, Canada and the New York State College of Ceramics at Alfred University.
35'20"
Bernard Leach - The Making of a Master- Part 3 - USA
In the final episode of our three-part series, we follow Leach as his influence spreads to the USA and his celebrated 1952 tour with Shōji Hamada and Sōetsu Yanagi that would inspire future generations of American potters.
45:04
The Minoans: Myth, Minotaurs and the Ceramics of Ancient Crete
The story of the Minoans - where myth and archaeology collide
47:47
The Ancient Greeks: Pots, Power and the Birth of a Civilisation
Emerging from the turmoil of the Bronze Age collapse, ancient Greece would become one of the most influential cultures in history – and ceramics were at the heart of its story.
35'20"
In the final episode of our three-part series, we follow Leach as his influence spreads to the USA and his celebrated 1952 tour with Shōji Hamada and Sōetsu Yanagi that would inspire future generations of American potters.
View episode
45:04
The story of the Minoans - where myth and archaeology collide
View episode
47:47
Emerging from the turmoil of the Bronze Age collapse, ancient Greece would become one of the most influential cultures in history – and ceramics were at the heart of its story.
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00.38.30
How did Greek pottery shape the art of the Western world?
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46:37
How did Peter Voulkos turn pottery into sculpture?
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36:30
In the second of two episodes, Stephanie Rozene and Paul Greenhalgh follow Peter Voulkos through the explosive years that transformed him from master potter into one of the most radical figures in modern ceramics.
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45.29
Journey into the world of the Classic Maya, where ceramics connected everyday life with gods, mythology and the mysteries of creation. From cooking corn and drinking cacao to ritual ball games and sacrifice, these extraordinary vessels reveal the stories and beliefs of one of Mesoamerica’s great civilisations.
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27.06
In this episode Paul Greenhalgh and Stephanie Rozene discover how ceramics became a sophisticated visual language. Painted with gods, symbols and stories, these extraordinary vessels carried the beliefs and rituals of Mesoamerica across cultures and vast distances.
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39.33
Stephanie Rozene and Paul Greenhalgh explore the ceramics of the Aztecs, from beautifully made redware used for everyday food to extraordinary effigy vessels and monumental terracotta figures created for ritual and sacrifice.
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