Journey into the extraordinary world of the Classic Maya, where ceramics were far more than objects for everyday use; they were vessels for food, status, storytelling, ritual and belief.
Stephanie Rozene and Paul Greenhalgh explore the golden age of Maya ceramics, discovering how skilled potters created sophisticated hand-built vessels without the potter’s wheel. From humble cooking pots used to prepare maize to beautifully painted polychrome vessels and prized cacao cups, ceramics offer a remarkable window into Maya life.
They uncover the profound relationship between food and mythology, including the Maya creation story in which the first humans were made from corn, and explore how gods, rulers and ancient stories were painted across the surfaces of pots. They also enter the dramatic world of the Maya ball game, where sport, political power, sacrifice and the struggle between life and death became intertwined.
Beautiful, complex and sometimes unsettling, these surviving ceramics allow us to glimpse a civilisation in which the everyday and the sacred were inseparable – and where a simple clay vessel could tell the story of the cosmos.
Featured Artworks:
Map of Mesoamerica
Map of Mesoamerica, Wikipedia, Public Domain
Vessel Depicting a Sacrificial Ceremony for a Royal Accession, ca. 750–800 CE, Maya. Public Domain, Art Institute of Chicago
Cylindrical Vessel, 6th–9th century, Maya. The The Metropolitan Museum of Art, Public Domain
Tripod Bird Bowl, 3rd–4th century, Maya. The Metropolitan Museum of Art, Pubic Domain
Death of Penthesilia, ca. 540–530 BCE.
Mayan Kitchen Fresco, Preparing Cacao, Maya.
Plate with the God Chahk, 600–800 CE, Maya artist(s). The Metropolitan Museum of Art, Public Domain
Maya Ceramic Bowl Offering of Tamales to the Gods, Creative Commons, Public Domain
Jomon Pot, Late Jomon Period, 2500–1000 BCE, creative commons, public domain
Olla-Shape Pottery, 21st century, earthenware, Mexico
Plate with Trumpeter, 700–800 CE, Maya. The Metropolitan Museum of Art, Public Domain
Pinchancha, 21st century, earthenware, Zacualpan, Guerrero, Mexico.
Maya Tripod Plate, Late Classic period, ca. 550–950 CE, Maya, public domain
Tripod Plate, Maya. The Metropolitan Museum of Art, Pubilc Domain
Model of the Various Structures that Make Up the Pyramid of Cholula.
Whistle with the Maize God Emerging from a Flower, 600–900 CE, Maya artist(s). The Metropolitan Museum of Art, Public Domain
Mural Depicting the Maize God, Maya. https://commons.wikimedia.org/wiki/File:Maya_maize_god.jpg
Freshly Fired Comales Cooling, 21st century, earthenware, San Mateo Mixtepec, Mexico.
Tetrapod Bowl, 1st–4th century, Maya. The Metropolitan Museum of Art, Public Domain
Vessel with Mythological Scene, 600–800 CE, Metropolitan Painter. The Metropolitan Museum of Art, Public Domain
Vessel Depicting the Rain God Chahk, ca. 600–800 CE, Maya.
Facsimile of the Madrid Codex. Museum of the Americas, Public Domain
Lidded Vessel, 3rd–4th century, Maya. The Metropolitan Museum of Art, public domain
Itzamna Seated in a Classic Period Polychrome Ceramic (Kerr 504), Maya, public domain https://commons.wikimedia.org/wiki/File:God_D_Itzam.jpg
Ixchel with Rabbit, Maya, Public Domain https://en.wikipedia.org/wiki/Maya_Moon_Goddess#/media/File:Goddess_O_Ixchel.jpg
Codex-Style Plate Featuring the Maize God and the Hero Twins, 680–740 CE, Maya, El Petén, Guatemala. Museum of Fine Arts, Boston, Public Domain
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Professor Paul Greenhalgh is a specialist on the art and design of the Modern period. He has written widely on Art Nouveau and curated several exhibitions including the major survey Art Nouveau 1890-1914, which toured internationally (2000-01). His books include Ephemeral Vistas (1988), Modernism in Design (1990), Art Nouveau 1890–1914 (2000), The Modern Ideal (2005), Fair World (2011), L’Art Nouveau: La Revolution Decorative (2013), Ceramic Art and Civilisation (2021) and Pablo Picasso: The Legacy of Youth (2022). He has held positions as Head of Research at the V&A Museum, London; President and Director at the Corcoran Gallery of Art, Washington DC; Director of the Sainsbury Centre, Norwich; and Inaugural Director of the Zaha Hadid Foundation, London. He was born and raised in Bolton, and is a proud Lancastrian.
Stephanie Rozene is a ceramic artist, Professor of Art, and the Ceramics Program Coordinator at Hartwick College in Oneonta, New York she has been teaching, writing and making art since 2004. At Hartwick she's been honored with the Wandersee Scholar in Residence award twice, along with the Teacher Scholar Award. Stephanie's research uses historical ornament and porcelain as a visual language to critique contemporary political rhetoric, and she also explores the history of clay as a cooking tool. Her work has been shown extensively both nationally and internationally. She is a member of the International Academy of Ceramics and is the Vice President of the board of trustees for the Watershed Center for Ceramic Arts in Newcastle, Maine, and was educated at NSCAD University in Nova Scotia, Canada and the New York State College of Ceramics at Alfred University.
27.06
Mesoamerica - Mixtec Puebla: When Pots Told Stories
In this episode Paul Greenhalgh and Stephanie Rozene discover how ceramics became a sophisticated visual language. Painted with gods, symbols and stories, these extraordinary vessels carried the beliefs and rituals of Mesoamerica across cultures and vast distances.
39.33
Mesoamerica - The Aztecs: Clay, Gods and Sacrifice
Stephanie Rozene and Paul Greenhalgh explore the ceramics of the Aztecs, from beautifully made redware used for everyday food to extraordinary effigy vessels and monumental terracotta figures created for ritual and sacrifice.
02:11
Introducing The History of Ceramics
The History of Ceramics brings together British art historian & curator Paul Greenhalgh and U.S. maker and academic Stephanie Rozene as they reveal the most surprising stories from this often-overlooked corner of art history.
27.06
In this episode Paul Greenhalgh and Stephanie Rozene discover how ceramics became a sophisticated visual language. Painted with gods, symbols and stories, these extraordinary vessels carried the beliefs and rituals of Mesoamerica across cultures and vast distances.
View episode
39.33
Stephanie Rozene and Paul Greenhalgh explore the ceramics of the Aztecs, from beautifully made redware used for everyday food to extraordinary effigy vessels and monumental terracotta figures created for ritual and sacrifice.
View episode
02:11
The History of Ceramics brings together British art historian & curator Paul Greenhalgh and U.S. maker and academic Stephanie Rozene as they reveal the most surprising stories from this often-overlooked corner of art history.
View episode
39:31
In this episode Paul Greenhalgh and Stephanie Rozene travel back to the earliest civilisations to find out how they created the very first ceramic objects and what that meant to the story of mankind.
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57.36
In this episode Paul Greenhalgh and Stephanie Rozene discuss the life and work of Adelaide Alsop Robineau who made the Mona Lisa of American ceramics – the Scarab Vase – that was later stolen in an audacious art heist.
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35.42
In this episode Paul Greenhalgh and Stephanie Rozene discuss the period of Picasso’s life when he became a potter, in a combination of painting and sculpture that transformed ceramics.
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38.44
In this episode Paul Greenhalgh and Stephanie Rozene travel to East Asia, to explore the complicated relations between Korea and Japan in the 16th and 17th centuries, and how this played out in the world of ceramics.
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30:40:00
In this episode Paul Greenhalgh and Stephanie Rozene dive into the story of Europe’s obsession with porcelain – otherwise known as white gold – and the race to discover its secret formula.
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45:57
In this second episode Paul Greenhalgh and Stephanie Rozene pick up the story of Europe’s obsession with porcelain and the race to discover its secret formula.
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