In the second of two episodes, Stephanie Rozene and Paul Greenhalgh follow Peter Voulkos through the explosive years that transformed him from master potter into one of the most radical figures in modern ceramics.
From the experimental studios of Otis and Berkeley to his monumental Blackwares, stacks and platters, Voulkos tears, cuts, pounds and rebuilds clay, pushing it far beyond the traditional vessel. His performances become legendary, while a generation of students go on to reshape American ceramics themselves.
But behind the charismatic “wild man” lies a more complicated story of addiction, recovery and relentless creativity. Stephanie and Paul explore Voulkos’s later years and the extraordinary legacy of an artist who changed not simply how ceramics looked, but what clay could be.
Featured Images:
Rocking Pot, 1956, Peter Voulkos.
Pot Shop, UC Berkeley, c. 1960s, Jim Melchert.
Last Temptation of Ming, 2015, Ron Nagle.
Blue Face with White Stripe, 1971, Stephen De Staebler.
Looking at Pictures, 2016, Mary Heilmann.
Installation View of “New Talent XIII”, 1960, Peter Voulkos.
Peter Voulkos at Work in the Faith and Charity in Hope Gallery, 1984, Peter Voulkos.
Sunset Rip, 2008, Mary Heilmann.
Paul Soldner’s MFA Show, 1956, Paul Soldner, Peter Voulkos and John Mason.
Arlene Schechet in the Jewish Museum, 2018, Sara Wasserman.
Peter Voulkos at Work, by Stephanie Rozene
Installation View of Voulkos: The Breakthrough Years, [date unknown], Butcher Walsh.
Untitled Chicken Pot, 1958, Peter Voulkos. The New York Times, 2021.
Little Big Horn, 1959, Peter Voulkos.
ientos, 1959, Peter Voulkos.
Sitting Bull, 1959, Peter Voulkos.
Annon, 1959, Peter Voulkos. Photograph by E. G. Schempf, Museum of Arts and Design.
Pauline Annon, circa 1950, Estate of Pauline Anon
Peter Voulkos at Work, c. 1960s,
Pinatubo, 1994, Peter Voulkos.
Ice Bucket, [date unknown], Peter Voulkos.
Bronze Ice Bucket, 1986, Peter Voulkos.
Iron Head, 1979, Peter Voulkos.
Selfies at the V and A, Stephanie Rosene and Paul Greenhalgh
Professor Paul Greenhalgh is a specialist on the art and design of the Modern period. He has written widely on Art Nouveau and curated several exhibitions including the major survey Art Nouveau 1890-1914, which toured internationally (2000-01). His books include Ephemeral Vistas (1988), Modernism in Design (1990), Art Nouveau 1890–1914 (2000), The Modern Ideal (2005), Fair World (2011), L’Art Nouveau: La Revolution Decorative (2013), Ceramic Art and Civilisation (2021) and Pablo Picasso: The Legacy of Youth (2022). He has held positions as Head of Research at the V&A Museum, London; President and Director at the Corcoran Gallery of Art, Washington DC; Director of the Sainsbury Centre, Norwich; and Inaugural Director of the Zaha Hadid Foundation, London. He was born and raised in Bolton, and is a proud Lancastrian.
Stephanie Rozene is a ceramic artist, Professor of Art, and the Ceramics Program Coordinator at Hartwick College in Oneonta, New York she has been teaching, writing and making art since 2004. At Hartwick she's been honored with the Wandersee Scholar in Residence award twice, along with the Teacher Scholar Award. Stephanie's research uses historical ornament and porcelain as a visual language to critique contemporary political rhetoric, and she also explores the history of clay as a cooking tool. Her work has been shown extensively both nationally and internationally. She is a member of the International Academy of Ceramics and is the Vice President of the board of trustees for the Watershed Center for Ceramic Arts in Newcastle, Maine, and was educated at NSCAD University in Nova Scotia, Canada and the New York State College of Ceramics at Alfred University.
45.29
Mesoamerica - The Maya: Gods, Myths and Ceramics (Part 1)
Journey into the world of the Classic Maya, where ceramics connected everyday life with gods, mythology and the mysteries of creation. From cooking corn and drinking cacao to ritual ball games and sacrifice, these extraordinary vessels reveal the stories and beliefs of one of Mesoamerica’s great civilisations.
27.06
Mesoamerica - Mixtec Puebla: When Pots Told Stories
In this episode Paul Greenhalgh and Stephanie Rozene discover how ceramics became a sophisticated visual language. Painted with gods, symbols and stories, these extraordinary vessels carried the beliefs and rituals of Mesoamerica across cultures and vast distances.
39.33
Mesoamerica - The Aztecs: Clay, Gods and Sacrifice
Stephanie Rozene and Paul Greenhalgh explore the ceramics of the Aztecs, from beautifully made redware used for everyday food to extraordinary effigy vessels and monumental terracotta figures created for ritual and sacrifice.
45.29
Journey into the world of the Classic Maya, where ceramics connected everyday life with gods, mythology and the mysteries of creation. From cooking corn and drinking cacao to ritual ball games and sacrifice, these extraordinary vessels reveal the stories and beliefs of one of Mesoamerica’s great civilisations.
View episode
27.06
In this episode Paul Greenhalgh and Stephanie Rozene discover how ceramics became a sophisticated visual language. Painted with gods, symbols and stories, these extraordinary vessels carried the beliefs and rituals of Mesoamerica across cultures and vast distances.
View episode
39.33
Stephanie Rozene and Paul Greenhalgh explore the ceramics of the Aztecs, from beautifully made redware used for everyday food to extraordinary effigy vessels and monumental terracotta figures created for ritual and sacrifice.
View episode
02:11
The History of Ceramics brings together British art historian & curator Paul Greenhalgh and U.S. maker and academic Stephanie Rozene as they reveal the most surprising stories from this often-overlooked corner of art history.
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39:31
In this episode Paul Greenhalgh and Stephanie Rozene travel back to the earliest civilisations to find out how they created the very first ceramic objects and what that meant to the story of mankind.
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57.36
In this episode Paul Greenhalgh and Stephanie Rozene discuss the life and work of Adelaide Alsop Robineau who made the Mona Lisa of American ceramics – the Scarab Vase – that was later stolen in an audacious art heist.
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35.42
In this episode Paul Greenhalgh and Stephanie Rozene discuss the period of Picasso’s life when he became a potter, in a combination of painting and sculpture that transformed ceramics.
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38.44
In this episode Paul Greenhalgh and Stephanie Rozene travel to East Asia, to explore the complicated relations between Korea and Japan in the 16th and 17th centuries, and how this played out in the world of ceramics.
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30:40:00
In this episode Paul Greenhalgh and Stephanie Rozene dive into the story of Europe’s obsession with porcelain – otherwise known as white gold – and the race to discover its secret formula.
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