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Peter Doig: House of Music

Peter Doig: House of Music

Join legendary painter Peter Doig and Serpentine Artistic Director Hans Ulrich Obrist for an exclusive tour of House of Music. In this HENI Talk, Doig takes us home—to the hills of Trinidad and the "cloud forests" that inspire his intimate new works.

From the hand-painted reggae signs of Port of Spain to the haunting influence of Caravaggio, Doig reveals the stories behind his most iconic motifs—the lions, the prisons, and the "leakage" of sound through city walls.

In this deep-dive walkthrough with Peter Doig explores: • The Lion of Judah: Its origins in Trinidadian street art and its role as a symbol of resistance. • Architecture of Control: How the Port of Spain zoo enclosure mirrors the city's prison. • Studio Film Club: The legacy of his makeshift Trinidadian cinema and how it transformed his view of the gallery. • The Poet & The Painter: The influence of Nobel laureate Derek Walcott and the "scrawny Salvation Army Band." • The Final Hour: The frantic "last-minute" process of finishing a painting just days before an opening.

On the occasion of his exhibition, Doig has created a series of special, limited-edition prints after paintings from the show. The prints will be available by application exclusively on HENI Editions from 29 January. Submit your details via the link to be notified when the artworks are available: https://heni.com/forms/house-of-music-register-interest

Time Period:

21st century

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Peter Doig at the Musée d'Orsay

10:56

Peter Doig at the Musée d'Orsay

Peter Doig and the Musée d’Orsay have brought together, in one of the museum’s iconic domed rooms, a group of large paintings that were made over the two decades the artist lived in the Caribbean nation of Trinidad and a selection of works he has chosen from the Musée d’Orsay’s collection.

Keith Cunningham: The Lost Master

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Keith Cunningham: The Lost Master

In this HENI Talks film, Damien Hirst, Peter Doig, Sir Frank Bowling, Hans Ulrich Obrist, Sir John Hegarty, amongst others, celebrate Keith Cunningham (1929–2014), a painter of astonishing skill, widely admired by peers and mentors alike, and uncover the artist's "Lost Masterpieces". Cunningham was a revered contemporary of Francis Bacon and Frank Bowling, a group that would go on to define post-war British art, and trained at the Royal College of Art in the 1950s alongside Leon Kossoff and Joe Tilson. Unlike his contemporaries, however, Cunningham walked away from the spotlight. By the late 1960s, he had turned his back on the public art world entirely, and for more than four decades his talent was known only to a circle of insiders — but unseen and undistracted Cunningham quietly created some of the most powerful and uncompromising works of post-war British art enjoyed by some of the most influential artists and critics of today.

Omar Victor Diop: Black Subjects in the Frame

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Omar Victor Diop: Black Subjects in the Frame

‘What gets remembered and what doesn’t?’ Mark Sealy examines searing moments in Black history through the lens of Omar Victor Diop’s powerful portraits.

Emotional Enigma in the Sculpture of Michelangelo

7:39

Emotional Enigma in the Sculpture of Michelangelo

Alison Cole discusses the emotional impact of Michelangelo's 'Taddei Tondo' (c.1504-1505) and the enduring power of his art.

The Awakening Conscience: The Story of a Pre-Raphaelite Muse

12:27

The Awakening Conscience: The Story of a Pre-Raphaelite Muse

Discover the ‘psychological drama’ behind William Holman Hunt’s ‘The Awakening Conscience’.

Louise Bourgeois: ‘A prisoner of my memories’

10:58

Louise Bourgeois: ‘A prisoner of my memories’

Robert Storr explores how this influential artist channelled her psychological pain to create some of the most visceral works of the twentieth century.