Home
Talks
Gerhard Richter: Drawings
Gerhard Richter is regarded as one of the most important and influential painters working today.
In this HENI Talk, Professor Michael Newman explores Richter's lesser-known and largely experimental drawing practice. Newman analyses the repertoire of Richter's mark-making and their connections to his remarkable achievements in painting, looking closely at works in pencil and charcoal, a series of over-painted photographs, and a set of rarely seen painterly works created using coloured inks.
Time Period:
21st century
Themes:
Michael Newman is Professor of Art Writing, Goldsmiths, University of London. An art historian and critic, Newman has written extensively on contemporary art, and has a long-standing interest in drawing, with numerous publications, including 'The Traces and Marks of Drawing' in The Stage of Drawing: Gesture and Act (Tate Publishing and The Drawing Center, 2003).
1:14
1 Minute 1 Work: Gerhard Richter, Annunciation after Titian, 1973
Learn about Richter’s ardent commitment to Titian’s canvas — and the impossibility of such a painting for our times — with writer Robert Storr.
1:19
1 Minute 1 Work: Gerhard Richter, Ema (Nude on a Staircase), 1966
Writer Robert Storr examines Gerhard Richter’s ‘dissenting’ painting ‘Ema (Nude on a Staircase)’.
12:00
Gerhard Richter: Doubt
‘He disturbed my sense of what art should be.’ — Robert Storr on Gerhard Richter
1:14
Learn about Richter’s ardent commitment to Titian’s canvas — and the impossibility of such a painting for our times — with writer Robert Storr.
1:19
Writer Robert Storr examines Gerhard Richter’s ‘dissenting’ painting ‘Ema (Nude on a Staircase)’.
12:00
‘He disturbed my sense of what art should be.’ — Robert Storr on Gerhard Richter
11:49
An exploration of the processes of leading artist Gerhard Richter as presented through his glass sculptures and paintings.