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1 Minute 1 Work: Gerhard Richter, Ema (Nude on a Staircase), 1966
Writer Robert Storr examines Gerhard Richter's 'dissenting' painting 'Ema (Nude on a Staircase)'. Made in 1966, this work was everything you were not supposed to do as a serious artist of the period.
Time Period:
20th century
Themes:
Robert Storr is a curator, critic, and painter. From 1990 until 2002 he worked at The Museum of Modern Art in New York, where he was curator and then senior curator in the Department of Painting and Sculpture. His exhibitions there included, 'DISLOCATIONS', 'Modern Art Despite Modernism', and retrospectives of Robert Ryman, Tony Smith, Chuck Close, Gerhard Richter, Max Beckmann, and Elizabeth Murray. From 1990 to 2000 he directed MoMA's Projects program devoted to contemporary art, for which he organized small monographic shows by Art Spiegelman, Franz West, Tom Friedman, and others. In 2002 he was named the first Rosalie Solow Professor of Modern Art at the Institute of Fine Arts, New York University. From 2006 to 2016 he served as the Stavros Niarchos Foundation Dean of the Yale University School of Art, where he continues to be a professor of painting. In 2007 he served as Artistic Director of the Venice Biennale, the first American to hold that position.
Since 1982, his essays, reviews, and columns have appeared in Art in America, Art Press, Frieze, Artforum, Parkett, Corriere della Sera, and other magazines and journals. He is the author of numerous catalogues and books -- most recently, of Intimate Geometries: The Life and Work of Louise Bourgeois (2016), for which he received the 2017 Filaf d'or Award, as well as the 2017 Filaf Award for Best Book on Contemporary Art. A frequent lecturer both in the United States and abroad, he has taught painting, drawing, art history, and criticism at numerous colleges, universities, and art schools. He is the recipient of prestigious awards for his criticism and curatorial work from organizations such as the International Association of Art Critics and the Archives of American Art. In 2016 he was awarded a fellowship from the John Simon Guggenheim Memorial Foundation. Made Chevalier des Arts et des Lettres by the French Ministry of Culture in 2000, he was subsequently promoted to Officier of the same order. Storr lives and works in Brooklyn, New York, and New Haven, Connecticut.
1:14
1 Minute 1 Work: Gerhard Richter, Annunciation after Titian, 1973
Learn about Richter’s ardent commitment to Titian’s canvas — and the impossibility of such a painting for our times — with writer Robert Storr.
12:00
Gerhard Richter: Doubt
‘He disturbed my sense of what art should be.’ — Robert Storr on Gerhard Richter
15:48
Gerhard Richter: Drawings
‘The drawings are traces of a life, creating territories in relation to limits and potentials. Communications transmitted to whoever will regard them.’ — Prof. Michael Newman
1:14
Learn about Richter’s ardent commitment to Titian’s canvas — and the impossibility of such a painting for our times — with writer Robert Storr.
12:00
‘He disturbed my sense of what art should be.’ — Robert Storr on Gerhard Richter
15:48
‘The drawings are traces of a life, creating territories in relation to limits and potentials. Communications transmitted to whoever will regard them.’ — Prof. Michael Newman
11:49
An exploration of the processes of leading artist Gerhard Richter as presented through his glass sculptures and paintings.