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What is: Degenerate Art?
'When art is condemned, fascism prevails.' Dr Brad Evans
Political Philosopher Dr. Brad Evans explores the concept of 'Degenerate Art', a term adopted by the Nazi Party in 1920s Germany to describe art that did not conform to their ideal vision of the world, culminating in the now infamous Degenerate Art exhibition held in Munich in 1937.
Time Period:
20th century
Themes:
Brad Evans is a political philosopher, critical theorist, and writer, who specialises on the problem of violence. A professor at the university of Bath, he is author of over 20 books and edited volumes, including most recently Ecce Humanitas: beholding the pain of humanity (2021); Conversations on Violence (2021); The Quarantine Files (2020); The Atrocity Exhibition (2019) and Violence: Humans in Dark Times (2018). He leads the LA Review of Books "Histories of Violence" section.
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Surrealism and Objects: Expanding the Idea of Reality
What are these things if they no longer have the function that we associate with them?
10:22
Dazzled! How a British artist transformed the seas of WWI
Dr James Fox tells us how artist Norman Wilkinson came up with a dazzling solution to protect Britain’s navy from the enemy in WWI.
10:05
Picturing Power: Elizabeth I and Frida Kahlo
What do Elizabeth I and Frida Kahlo have in common? Penny Huntsman unpacks the portraits of the Tudor Queen and Mexican Surrealist.
7:02
What are these things if they no longer have the function that we associate with them?
10:22
Dr James Fox tells us how artist Norman Wilkinson came up with a dazzling solution to protect Britain’s navy from the enemy in WWI.
10:05
What do Elizabeth I and Frida Kahlo have in common? Penny Huntsman unpacks the portraits of the Tudor Queen and Mexican Surrealist.
10:56
Articulation prize winner Zach Taylor reveals the power of light and dark in Rembrandt’s self-portraits.
9:08
Tristram Hunt traces how Josiah Wedgwood changed the face of the decorative arts in Britain with his ambitious pottery designs.
13:12
The male gaze, misogyny, porn. Rachel Maclean discusses issues surrounding female identity in the history of art as tackled in her film ‘Make Me Up’.