One might consider Brutalism as the 'marmite' of architectural history: it is a style that is systematically loathed and revered. HRH Prince Charles once compared one of the icons of Brutalism, Britain's National Theatre, to a nuclear power station. A strong reaction to the hulking concrete edifice... But is that the point?
Learn about some of the key facets and figures of Brutalist history with Professor Richard J. Williams.
Time Period:
20th century
Themes:
Richard J. Williams is Professor of Contemporary Visual Cultures at the University of Edinburgh where he has worked since 2000. Before that, he studied fine art at Goldsmiths College, and history of art at the University of Manchester. His work deals mainly with modern and contemporary architecture and urban theory; the representation of cities in film and TV is a major interest. His books include, The Anxious City (2004), Brazil: Modern Architectures in History (2009), Sex and Buildings (2013), The Architecture of Art History (with Mark Crinson, 2018) and Why Cities Look the Way They Do (2018). He is currently writing a book about the architectural historian and critic Reyner Banham.
15:47
Building Brasília
'To create an entirely new capital, from scratch, in the middle of nowhere, was an extraordinarily ambitious thing to try and do...' Prof. Richard J. Williams.
12:30
City of Fantasies: Reyner Banham and the Architecture of LA
Prof. Richard Williams explores the lure of Los Angeles.
7:35
A Portrait of Humanity: The Compelling Story of Ayuba Suleiman Diallo
Discover the unexpected tale that lies behind ‘the face of abolition’, as painted by William Hoare.
15:47
'To create an entirely new capital, from scratch, in the middle of nowhere, was an extraordinarily ambitious thing to try and do...' Prof. Richard J. Williams.
12:30
Prof. Richard Williams explores the lure of Los Angeles.
7:35
Discover the unexpected tale that lies behind ‘the face of abolition’, as painted by William Hoare.
1:07:27
Mark Stevens and Annalyn Swan chart the life and art of Francis Bacon. The conversation is expanded by Robert Storr.
15:32
Is specialist knowledge needed to enjoy and understand art?
14:15
Jacky Klein discusses how a recluse from the French countryside became the first Modern painter.