Paulo Licona's inaugural exhibition at La Balsa Arte, "Soltar la presa ¡Auu!", translates a twenty-year artistic observatory of life's mundane and profound aspects into intricate paper assemblages, featuring rare materials from La Balsa Papel's archives.
Jura Shust's exhibition unveils a cosmology where ancient animism converges with digital consciousness and ecological systems, tracing the migration of disembodied spirits through repurposed natural forms.
Peter Schuyff: A Happy Hundred, 2024, Rokot, 2021 and Resdan, 2021. Peter Schuyff, who came to prominence in the 1980s Neo-Geo movement, conjures illusion and instability in paintings that play off geometric regularity without quite enacting it.
At the Investec Cape Town Art Fair, photography asserts its standing through a compelling array of historical and contemporary works, a new international prize, and deliberate engagement with the fair's 'Listen' curatorial premise.
While Art Genève 2026 maintained a measured aesthetic of subtle refinement and a largely risk-averse curatorial posture, its robust institutional engagement and innovative special projects further cemented its unique position within the international art calendar.
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