Tate Britain's expanded weekend hours are a direct response to the considerable public engagement with its major exhibitions on Lee Miller and Turner & Constable, further enriched by a notable William Dobson acquisition and a new Bridget Riley installation.
Having endured Russian detention for a feminist photoshoot, photographer Kristina Rozhkova's subsequent project, "Gut Feeling," incisively unpacks the "cage" as both a personal trauma and a pervasive social model of state control, violence, and economic dependency within contemporary Russia.
Echoing prior federal actions, the prominent Pride flag was removed yesterday from the Stonewall National Monument under a Trump administration directive, marking a distinct escalation in policy regarding LGBTQ+ representation at historic federal sites.
The Grand Central Transit Museum's upcoming exhibition, "Inspired by MetroCard," explores the iconic transit pass's surprising role as both muse and material for artists, featuring an array of works—from collages to sculptures—that reimagine the MetroCard's familiar form.
Norman Lewis, Untitled (1961), $40,000 to $60,000 estimate, is due to be sold at Phillips Modern & Contemporary Art Auction in New York on February 28, 2026. Oil on canvas, 87.9 x 45.1cm. The work has been traded twice in the past.
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