The second annual Evanston Made Mother’s Day Paint Out convened 16 artists at the historic Charles Gates Dawes House for a plein air competition, celebrating direct observation in art.
Venturing into the landscape, John Dent employs gouache to capture the diverse Australian terrain, from coastal aquamarine to dry golden hills, in a series rooted in his travels.
The Stedelijk Museum has announced that the 97-year-old Japanese artist's retrospective, which has been co-organized by the Fondation Beyeler and Museum Ludwig, opens in Amsterdam in the fall.
Amanda Heng Liang Ngim’s "A Pause" at the Singapore Pavilion for the 61st Venice Biennale is a site-specific installation where an architectural intervention, new video, and archival photographs invite visitors to create personal meaning by inhabiting a contemplative space focused on everyday rhythms and the body's negotiation of time.
Biennale president Pietrangelo Buttafuoco's "masterful unintentional strategy" saw 10,000 visitors during the exhibition's preview week, 10% more than two years ago. The invited curators, collectors, artists, and more than 3,700 journalists had plenty to talk about.
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