A seemingly infinite variation of vivid colours interacts and mixes in Gerhard Richter’s ‘Flow’ (P7, 2014), a facsimile after his painting ‘Flow’ (2013). The original work is part of the eponymous series in which Richter creatively experimented with the expressive potentials of chance and materiality. By pouring and letting trickle variously coloured enamel paints on a surface, Richter achieved entirely abstract, unrestrained figurations.