Gerhard Richter’s innovative approach to colour and technology comes to life in ‘Flow’ (P6, 2014), a facsimile print after his painting ‘Flow’ (2013). The work is composed of vivid and dynamic enamel paints in contrasting shades of green, yellow, white, red, pink and black. Poured onto the surface and encouraged to autonomously flow and mix, their movements are arrested through Richter’s application of a glass panel.