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The Great East Window: Brian Clarke
For painter and architectural artist Brian Clarke, seeing the Great East Window of York Minster as a child was a profoundly formative experience. He weaves his personal experience with evocative description of its creation, concentration of colours and cinematic mode of storytelling, putting us in the shoes of its Medieval viewer "A bridge for us to cross from mundanity to the sublime", Clarke guides our own appreciation of the work and its enduring power.
Time Period:
20th century
Themes:
Brian Clarke, painter and architectural artist, was born in Oldham, Lancashire, in 1953, and is the most celebrated stained glass artist in the world today.
A lifelong exponent of the integration of art and architecture, Clarke's commitment to total art has developed into a Renaissance engagement with multiple media -- from painting, sculpture, ceramics, mosaic, tapestry, jewellery and furniture, to sets for opera, the ballet, and stadia. Practising in secular and sacred spaces, his architectural collaborations include work with Zaha Hadid, Norman Foster, Arata Isozaki, Oscar Niemeyer, I. M. Pei, Future Systems and other leading figures of Modern and contemporary architecture, creating stained glass designs and art installations for hundreds of projects worldwide.
His practice in architectural and autonomous stained glass, often on a monumental scale, has led to successive innovation and invention in the fabrication of the medium and, through the production of leadless stained glass and the creation of sculptural stained glass works made primarily or wholly of lead, he has radically stretched the boundaries of what the medium can do and express.
Major works include the Pyramid of Peace, Kazakhstan; Victoria Quarter Leeds, the largest stained glass roof in Europe; the Hôtel du département des Bouches-du-Rhône (Le Grand Bleu), Marseilles; the Royal Mosque of King Khalid International Airport, Riyadh; the 13th century Cistercian Abbaye de la Fille-Dieu, Romont; Buxton Thermal Baths' Cavendish Arcade; the Al Faisaliyah Center, Riyadh; Pfizer World Headquarters, Manhattan; Beaverbrook Coach House and Spa at Cherkeley Court; the Stamford Cone, Connecticut; and NorteShopping, Rio de Janeiro. Stage sets and designs for theatre include designs for two productions of Wayne Eagling's Rudolf Nureyev-tribute 'The Ruins of Time', with the Dutch National Ballet; Paul McCartney's World Tour (1989-90) and The New World Tour (1993); and a production of the Robert Ward opera 'The Crucible', directed by Hugh Hudson.
Clarke is an Honorary Fellow of the Royal Institute of British Architects; Fellow, Trustee, and Council member of the Winston Churchill Memorial Trust; former Visiting Professor of Architectural Art at the Bartlett School of Architecture, University College London; former trustee and Chairman of the Architecture Foundation; Fellow of the Royal Society of Arts; Honorary Liveryman of the Worshipful Company of Glaziers and Painters of Glass; Hon. Doctor of Law, University of Huddersfield; Doctor of Humane Letters, Virginia Theological Seminary; former member of the Design Review Committee for the Commission of Architecture and the Built Environment (CABE); Governor of the Capital City Academy Trust; Sole Executor and Chairman of the Estate of Francis Bacon; Trustee and Chairman of the Zaha Hadid Foundation.
13:02
Brian Clarke: The Art of Light
A portrait of pioneering architectural artist Brian Clarke.
47:21
Brian Clarke, Norman Foster and Robert Storr in Conversation
An online conversation between the foremost practitioner of stained glass, architectural artist Brian Clarke and esteemed architect Sir Norman Foster, chaired by Robert Storr.
8:53
The Mona Lisa: Painting beyond Portraiture
Who was Mona Lisa? Why is this painting so important? We asked leading Leonardo da Vinci expert, Martin Kemp.
13:02
A portrait of pioneering architectural artist Brian Clarke.
47:21
An online conversation between the foremost practitioner of stained glass, architectural artist Brian Clarke and esteemed architect Sir Norman Foster, chaired by Robert Storr.
8:53
Who was Mona Lisa? Why is this painting so important? We asked leading Leonardo da Vinci expert, Martin Kemp.
1:22:59
Damien Hirst’s ‘Treasures from the Wreck of the Unbelievable’ reveals the fascinating story of the discovery and excavation of an ancient shipwreck.
11:19
Out of the ashes of the Great Fire of 1666, rose a building designed by Sir Christopher Wren which would define the skyline of London.
12:00
‘He disturbed my sense of what art should be.’ — Robert Storr on Gerhard Richter