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The History of Ceramics
Lucie Rie & Hans Coper - Clay, Courage and Reinvention - Part 2
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This week on The History of Ceramics, we tell the remarkable story of Hans Coper, who arrived in Britain as a refugee with no experience of pottery and became one of the defining ceramic artists of the twentieth century.
We explore his creative partnership with Lucie Rie, the bold sculptural forms that made his work unique, and the lasting legacy he left on modern ceramics.
Join Stephanie Rozene and Paul Greenhalgh as they discover how Hans Coper transformed clay into one of the great artistic languages of the modern age." "This week on The History of Ceramics, we continue the story by following the extraordinary journey of Hans Coper, a man who arrived in Britain as a refugee with no experience of pottery, yet went on to become one of the greatest ceramic artists of the modern age.
Forced to flee Nazi Germany as a teenager, Hans Coper rebuilt his life from scratch in wartime Britain. When he began working in Lucie Rie's studio, he discovered not only a new craft but an entirely new way of expressing himself. Although Rie taught him the fundamentals of working with clay, Coper soon developed a powerful artistic language all his own—creating bold, sculptural vessels that blurred the boundaries between pottery and sculpture.
In this episode, we explore Coper's remarkable transformation from refugee to internationally celebrated artist, the creative partnership and lifelong friendship he shared with Lucie Rie, and the innovations that changed the direction of modern ceramics forever. We also examine why his work continues to inspire artists, collectors, and museums around the world.
More than a story about beautiful objects, this is a story of resilience, identity, and the extraordinary power of art to reshape a life.
Join Stephanie Rozene and Paul Greenhalgh as they uncover the life and work of Hans Coper—and discover how a man who began with no training in ceramics became one of the defining voices of twentieth-century studio pottery.
Artworks:
Lucie Rie, Bronzed bowls from the 1980s Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation
Hans Coper, A group of Cycladic forms, late-1970s – early-1970s Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation
Hans Coper, Early composite form, c.1950 and Large jug, c.1953 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and HansCoper Foundation
Hans Coper, Portrait of Lucie Rie, conceived c.1953 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation
Hans Coper, Ovoid pot c.1970, Small ovoid pot, c.1972 and Ovoid pot, c.1972 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation
Monumental Altar Candlesticks, Coventry Cathedral, by Hans Coper, Image courtesy of Julian Osley – CC BY-SA 2.0
ADDITIONAL WORKS:
Bernard Leach, Thrown Bowl,, 1973 Provided by York Museum https://creativecommons.org/licenses/by-sa/3.0
Bernard Leach Studio St Ives https://creativecommons.org/licenses/by/2.0/
Henry Moore, Three Way Piece No. 2 ( The Archer), 1964-65 On display in front of Toronto City Hall since 1966 https://creativecommons.org/licenses/sa/1.0/
Henry Moore, Large Reclining Figure 1982 (LH 192b), fibreglass. As of 2004 sited outside the Fitzwilliam Museum, Cambridge. On loan from the Henry Moore Foundation. https://creativecommons.org/licenses/by-sa/2.0/
Brâncuși's Paris studio, 1920, Photograph by Edward Steichen, Public Domain
Constantin_Brancusi, The Kiss, 1907-08, Public Domaiin
PHOTOGRAPHS: Lucie Rie and Hans Coper in front of Albion Mews, 1950s Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Image Courtesy of the Crafts Study Centre, University for the Creative Arts, Farnham
Lucie Rie and Hans Coper in front of Albion (B&W) Mews, early 1950s Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation
Lucie Rie and Hans Coper, 1959-69 (in vehicle) Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation
Hans Coper, Albion Mews, c.1956 Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation
Hans Coper, Albion Mews, c.1967 Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation
"Lucie Rie / Hans Coper: Life at the Wheel’ will be at Offer Waterman in London from 18 September - 31 October 2026.
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Professor Paul Greenhalgh is a specialist on the art and design of the Modern period. He has written widely on Art Nouveau and curated several exhibitions including the major survey Art Nouveau 1890-1914, which toured internationally (2000-01). His books include Ephemeral Vistas (1988), Modernism in Design (1990), Art Nouveau 1890–1914 (2000), The Modern Ideal (2005), Fair World (2011), L’Art Nouveau: La Revolution Decorative (2013), Ceramic Art and Civilisation (2021) and Pablo Picasso: The Legacy of Youth (2022). He has held positions as Head of Research at the V&A Museum, London; President and Director at the Corcoran Gallery of Art, Washington DC; Director of the Sainsbury Centre, Norwich; and Inaugural Director of the Zaha Hadid Foundation, London. He was born and raised in Bolton, and is a proud Lancastrian.
Stephanie Rozene is a ceramic artist, Professor of Art, and the Ceramics Program Coordinator at Hartwick College in Oneonta, New York she has been teaching, writing and making art since 2004. At Hartwick she's been honored with the Wandersee Scholar in Residence award twice, along with the Teacher Scholar Award. Stephanie's research uses historical ornament and porcelain as a visual language to critique contemporary political rhetoric, and she also explores the history of clay as a cooking tool. Her work has been shown extensively both nationally and internationally. She is a member of the International Academy of Ceramics and is the Vice President of the board of trustees for the Watershed Center for Ceramic Arts in Newcastle, Maine, and was educated at NSCAD University in Nova Scotia, Canada and the New York State College of Ceramics at Alfred University.
43.02
The Tang Dynasty: Treasures from the Tomb
This week Paul Greenhalgh and Stephanie Rozene explore the remarkable ceramics of the Tang Dynasty, one of China's greatest periods of artistic innovation. They venture down into the depths of their magnificent tombs and discover the wonders of their funerary wares., ceramic creations that capture life in the Imperial Court from dancers, polo players, concubines, warriors and magnificent horses. These treasures open a window into a golden period of Chinese history but also show how the Tang potters transformed the art of clay and influenced ceramic traditions around the world.
43.22
The Ming Dynasty: China's Porcelain Revolution
This week on The History of Ceramics, we explore the remarkable ceramics of the Ming Dynasty, when Chinese porcelain reached new heights of beauty and craftsmanship. From iconic blue-and-white wares to the great imperial kilns of Jingdezhen, we discover how Ming potters created ceramics that captivated the world.
41:03
Bernard Palissy - Obsession, Faith and Myth
Bernard Palissy was an artist, scientist, inventor and one of the most extraordinary figures in the history of ceramics. Driven by religious faith, a fascination with nature, and an obsession to discover the secret of white enamel, he devoted years to relentless experimentation, sacrificing his fortune, and burning almost everything he owned in pursuit of perfection. In this episode Paul Greenhalgh and Stephanie Rozene uncover the remarkable life of the French Renaissance potter whose distinctive rustic wares transformed European ceramics.
43.02
This week Paul Greenhalgh and Stephanie Rozene explore the remarkable ceramics of the Tang Dynasty, one of China's greatest periods of artistic innovation. They venture down into the depths of their magnificent tombs and discover the wonders of their funerary wares., ceramic creations that capture life in the Imperial Court from dancers, polo players, concubines, warriors and magnificent horses. These treasures open a window into a golden period of Chinese history but also show how the Tang potters transformed the art of clay and influenced ceramic traditions around the world.
View episode
43.22
This week on The History of Ceramics, we explore the remarkable ceramics of the Ming Dynasty, when Chinese porcelain reached new heights of beauty and craftsmanship. From iconic blue-and-white wares to the great imperial kilns of Jingdezhen, we discover how Ming potters created ceramics that captivated the world.
View episode
41:03
Bernard Palissy was an artist, scientist, inventor and one of the most extraordinary figures in the history of ceramics. Driven by religious faith, a fascination with nature, and an obsession to discover the secret of white enamel, he devoted years to relentless experimentation, sacrificing his fortune, and burning almost everything he owned in pursuit of perfection. In this episode Paul Greenhalgh and Stephanie Rozene uncover the remarkable life of the French Renaissance potter whose distinctive rustic wares transformed European ceramics.
View episode
38:40