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The Origins of Art Nouveau Architecture
An in-depth film that explores Horta's Architectural legacy and the beginnings of art nouveau with writer and curator Paul Greenhalgh. Seen as a major breakthrough of modern architecture in the 1890s. Tracing its origins to Victor Horta’s house for the scientist and professor Émile Tassel, this film visits and explores Horta’s four major townhouses—Hôtel Tassel, Hôtel Solvay, Hôtel van Eetvelde, and Maison & Atelier Horta (Horta Museum as it is today) —remarkable and pioneering works of Art Nouveau architecture.
Time Period:
19th century
Themes:
Paul Greenhalgh is a writer and curator, Director of the Sainsbury Centre for Visual Arts, and Professor of Art History at the University of East Anglia (UK). His previous roles Include Director and President of the Corcoran Gallery of Art (Washington DC), President of NSCAD (Canada), and Head of Research at the V&A Museum.
His books include Ephemeral Vistas (1989), Modernism in Design (1993), Art Nouveau 1890-1914 (2000), The Modern Ideal (2004), Fair World (2012), L'Art Nouveau: la révolution décorative (2013), and Ceramic, art, and civilisation (2020).
He has chaired and served on various boards and committees, including the British Government's Research Excellence Framework for Art and Design (2010-2014), the University of Edinburgh's Arts Advisory Committee (2010-2015), the Bureau International des Expositions, Paris, and the Winston Churchill Memorial Trust.
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The Awakening Conscience: The Story of a Pre-Raphaelite Muse
Discover the ‘psychological drama’ behind William Holman Hunt’s ‘The Awakening Conscience’.
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Paul Greenhalgh celebrates the richness of one of the world’s most fundamental arts.
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The golden age of newspapers was also the heyday of Art Deco. Edwin Heathcote tours Fleet Street's iconic press headquarters.
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Discover the ‘psychological drama’ behind William Holman Hunt’s ‘The Awakening Conscience’.
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Robert Storr explores how this influential artist channelled her psychological pain to create some of the most visceral works of the twentieth century.
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Julian Spalding discusses the impact of religious belief and spiritual doubt on paintings across time.