Jonas Mekas: The Making of Andy Warhol’s ‘Empire’
'From 8 p.m. until dawn the camera was pointed at the Empire State Building, from the 41^st^ floor of the Time-Life Building. The camera never moved once. My guess is that Empire will become The Birth of a Nation of the New Bag Cinema' -- Jonas Mekas
Experimental filmmaker and co-founder of Film Culture magazine Jonas Mekas recalls the making of Andy Warhol's avant-garde film Empire, 1964. He describes the Filmmakers Co-operative that met in his loft --- a loose group of filmmakers, artists and friends of the arts --- and the public reaction to Warhol's radically pared-down film.
Jonas Mekas was born in 1922 in the farming village of Semeniškiai, Lithuania. In 1944, he and his brother Adolfas were taken by the Nazis to a forced labor camp in Elmshorn, Germany. After the War he studied philosophy at the University of Mainz. At the end of 1949 the UN Refugee Organization brought both brothers to New York City, where they settled down in Williamsburg, Brooklyn.\ Two months after his arrival in New York he borrowed money to buy his first Bolex camera and began to record brief moments of his life. He soon got deeply involved in the American Avant-Garde film movement. In 1954, together with his brother, he started Film Culture magazine, which soon became the most important film publication in the US. In 1958 he began his legendary Movie Journal column in the Village Voice. In 1962 he founded the Film-Makers' Cooperative, and in 1964 the Film-Makers' Cinematheque, which eventually grew into Anthology Film Archives, one of the world's largest and most important repositories of avant-garde cinema, and a screening venue.
During all this time he continued writing poetry and making films. To date he has published more than 20 books of prose and poetry, which have been translated into over a dozen languages. His Lithuanian poetry is now part of Lithuanian classic literature and his films can be found in leading museums around the world. He is largely credited for developing the diaristic forms of cinema. Mekas has also been active as an academic, teaching at the New School for Social Research, the International Center for Photography, Cooper Union, New York University, and MIT.
Mekas' film The Brig was awarded the Grand Prize at the Venice Film Festival in 1963. Other films include Walden (1969), Scenes from the Life of Andy Warhol (1990) and As I was Moving Ahead I saw Brief Glimpses of Beauty (2000). In 2007, he completed a series of 365 short films released on the internet --- one film every day --- and since then has continued to share new work on his website.
Since 2000, Mekas has expanded his work into the area of film installations, exhibiting at the Serpentine Gallery, the Centre Pompidou, Musée d'Art moderne de la Ville de Paris, the Moderna Museet (Stockholm), PS1 Contemporary Art Center MoMA, Documenta of Kassel, the Museum Ludwig in Cologne, the State Hermitage Museum in St. Petersburg, and the Venice Biennale.
Mekas passed away in New York, aged 96, on 23 January 2019.
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