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Edwin Heathcote
Edwin Heathcote is a leading architecture and design critic who has illuminated the stories behind the buildings and objects that shape our world. Working as a journalist, author, architect, and designer, Heathcote’s varied career has at its core a passion for sharing architecture and design with others and giving people the opportunity to better understand, engage with, and appreciate their surroundings.
Edwin Heathcote is a leading architecture and design critic who has illuminated the stories behind the buildings and objects that shape our world. Working as a journalist, author, architect, and designer, Heathcote’s varied career has at its core a passion for sharing architecture and design with others and giving people the opportunity to better understand, engage with, and appreciate their surroundings.
Born in London in 1968, Heathcote grew up wanting to use his creativity to positively impact the world. Politically engaged, passionate about social issues, and interested in art and culture, Heathcote was drawn to architecture, which seemed to be a convergence of these interests. He studied architecture at Kingston University, London, with the goal of working for a municipal authority designing social housing, community centres, and other spaces for public benefit. However, decreased demand for these kinds of projects by the time Heathcote graduated led him instead to take jobs as a conservation architect for English Heritage and the United States National Parks Service, work which enabled him to use his skills for the greater good.
Alongside his architecture practice, Heathcote was always reading extensively on the field, as well as writing, which he describes as a medium through which he processes his own thoughts. Eventually Heathcote took on the role of the Architecture and Design Critic for the Financial Times, which he has held since 1999. Having worked as an architect and designer himself, Heathcote’s heightened sense of the complexities behind the design and construction of spaces and structures shapes his writing and helps him to approach critique from a place of empathy and real admiration.
In addition to Financial Times, Heathcote’s contributions to magazines and journals, including GQ and ICON, always seeks to reach broad audiences and ignite people’s interest in architecture and design. His writing is driven by a conviction that these are valuable conveyors of cultural identity, and he always seeks to illuminate the context of a place and the story behind it, rather than simply the way that it looks. He approaches every building differently, aiming to understand it as completely as possible within its context. When researching an article, Heathcote spends time at the site, talking not only to its architects and designers but also to visitors and users to gain a sense of how it fits into its physical and cultural space.
Heathcote is also the author of more than a dozen books on architecture and design, perhaps most famously The Meaning of Home (2012), which examines the small details of our everyday dwellings that often go overlooked by design authors, demonstrating the latent symbolism behind them. In 2022 Heathcote turned his love of urban spaces toward writing On the Street, a collection of essays and recollections of the cultural impact of urban street furniture, from park benches to bollards, demonstrating that these structural elements reveal the constantly evolving landscapes of major cities including London, New York, and Budapest.
Heathcote’s commitment to society and far-reaching vision plays out beyond his writing. He is also the founder and editor-in-chief of readingdesign.org, a non-profit online archive of writing on design and architecture. Since 2020, Heathcote has also served as the Keeper of Meaning at The Cosmic House, Charles Jencks' grade II listed former London home.