Money in Art: From Coinage to Crypto

Selected as one of the “best art books of 2024” by Martin Gayford, The Spectator.

HENI Publishing is delighted to present a new book featuring a curated chronological selection of 90 artworks from Pop art to now, from the witty and the political to the beautiful and the conceptual.

From pioneers Andy Warhol, Robert Indiana and Lynn Hershman Leeson to contemporary artists Jeremy Deller, Lubaina Himid, Damien Hirst, Kerry James Marshall, MSCHF, Cornelia Parker, Grayson Perry and many more; a key work by each artist is illustrated and accompanied by a short explanatory text by art historian, David Trigg.

As an inescapable aspect of everyday life, money has appeared in the background of art throughout its history within the context of mythological, biblical and historic scenes – from Danaë and the shower of golden coins, to the 30 pieces of silver for which Judas betrayed Jesus. In the last seventy years however, as consumer culture has spread internationally, many artists have given money the centre stage in their work to reflect on various economic, political, social and symbolic concerns that relate to different currencies and formats. In some of these artworks, physical money — banknotes and coins plus cheques and credit cards — is the actual art material, used by artists to question and subvert notions of value or to examine the aesthetics of these quotidian objects.

As the world enters an age of decentralized, virtual currencies, artists have been quick to respond to the creative potential of this new economy, from Sarah Meyohas’s creation of her own digital currency, Bitchcoin (2015), to Damien Hirst’s The Currency (2021–22) which offered 10,000 art collectors the choice between owning a physical painting or an NFT – with the corresponding element being destroyed – to explore the boundaries between art and currency, and question ideas of value.

An introductory essay sets the scene with an historical overview of money in art, whisking readers from ancient Greek pots and Renaissance paintings by Titian, Rembrandt and Gentileschi, to Dutch genre scenes, still lifes and early twentieth-century Dada collages, and the book opens with a foreword by Canadian economist and former Governor of the Bank of England, Mark Carney.

Abdullah M. I. Syed, Alicja Kwade, Andy Warhol, Ann Hamilton, Arman, C. K. Wilde, Carlos Aires, Chris Burden, Christos J. Palios, Cildo Meireles, Claes Oldenburg, Claire Fontaine, Cornelia Parker, Craig Wood, Damien Hirst, Dan Tague (D-TAG), Denis Beaubois, Diana Fonseca, Edward Kienholz, Gabriel Kuri, Gabriel Orozco, Gavin Turk, Genpei Akasegawa, Gerald Machona, Germaine Koh, Gianni Motti, Gilbert & George, Grayson Perry, Guerrilla Girls, Hank Willis Thomas, Hanna von Goeler, Hans-Peter Feldmann, Hew Locke, Hong Hao, J. S. G. Boggs, Jac Leirner, Jan Henderikse, Jens Haaning, Jeremy Deller (with Fraser Muggeridge Studio), Jonathan Horowitz, Jonathas de Andrade, Joseph Beuys, Jota Castro, Justine Smith, K Foundation, Keren Cytter, Kerry James Marshall, Kim Rugg, Koo Jeong A, Lauren Greenfield, Lee Mingwei, Leo Fitzmaurice, Liz Glynn, Louise Lawler, Lubaina Himid, Lucie Davis, Lynn Hershman Leeson, Mandy El-Sayegh, Mark Wagner, McCarren/Fine, Mel Bochner, Meschac Gaba, Michael Dean, Michael Landy, MSCHF, Philipp Valenta, Ray Johnson, Rirkrit Tiravanija, Robert Indiana, Robert Watts, Roman Ondak, Rose Finn-Kelcey, Roy Lichtenstein, Ryan Gander, Ryan Presley, Santiago Montoya, Sarah Meyohas, Shan Goshorn, Thomas Hirschhorn, Tom Friedman, Tom Otterness, Wilfredo Prieto, Xu Qu, Yaw Owusu, Yoan Capote, Yukinori Yanagi