Meanwhile, Paço das Artes manages to bring together reflection and hope about today and tomorrow, because “It’s not the end of the world yet” and there are visions that range from utopian optimism to destruction and reconnection with nature.

1953, São Paulo) in a first extensive solo exhibition in Germany.

One of Frieze LA's most striking installations comes from a joint booth by New York’s Ortuzar and São Paulo’s Gomide & Co., who work with Japanese Brazilian artist Megumi Yuasa. Tilton Gallery has dedicated its booth to the late Noah Purifoy.

Self-taught artist Larissa de Souza, whose solo exhibition “Faith Charm” runs until March 1 in São Paulo, talks about how women "carry an ancestral connection that rescues the magic and power of life" and the importance of Afro-Brazilian and Angolan traditions in her paintings.

Pedro Torres, a Brazilian-Spanish artist who has recently had a solo show at Fundacion Mapfre in Tenerife, is now represented by Zielinsky of Barcelona and São Paulo.

Maps and globes are representations produced on a reduced scale by professionals such as geographers and cartographers to represent a given space, following the strict codes of the scientific area responsible for the subject, which is cartography.

How can such diverse manifestations coalesce under the single title LGBTQIA+ Histories?

Born in Capivari, São Paulo, in 1886, Tarsila studied in Europe, where she came into contact with the artistic avant-garde of the time, such as cubism and surrealism.

It is within this context of reproducibility and the loss of the object’s “aura” as a unique work of art that collectors, gallerists and photography enthusiasts seek ways to reclaim its individuality—particularly in the pre-digital era, where processes of enlargement, reduction, development and printing on different materials and paper types can paradoxically render each reproduction a one-of-a-kind piece.

The estate of Mira Schendel, the Swiss-Brazilian Modernist artist, is now represented by Gomide&Co. of São Paulo.

Denise Milan, who is best known for her works of public art in stone, is now represented by SZ Zielinksy of São Paulo and Barcelona.

'island of arts' will host the work of ten to fifteen artists, and is part of a larger effort to revitalize são paulo's pinheiros river.

São Paulo Association of Art Critics (APCA) winners; Ernesto Neto Q&A About His installation at Paris’s Le Bon Marché; Mila Bernardo Wins Chicago Latino Film Festival Poster Competition; Eight Emerging Brazilian Design Studios You Should Know

Through a process of observation verging on cinematic voyeurism, Cerqueira metaphorically sculpts meaning into and for the everyday, leaving behind an artistic legacy that enriches the essence of the ordinary far more than it draws from it.

Dedicated to non-white artists and Global South knowledge forms, Hoa quickly garnered an international platform and helped to launch the careers of a new artist cohort better representative of Brazil’s racial diversity.

The Rio de Janeiro-based sculptor, Zé Carlos Garcia, is now represented by Casa Triangulo of São Paulo.

A mix of art, culture and technology, the exhibit invites visitors to walk along a kind of trail that passes through a garden of giant, illuminated sculptures arranged in around 40 different settings.

The erasure of cultures, religions and actions by women, indigenous people, Afro-descendants and LGBTQ people have been at the center of art exhibitions in different places, from state museums and commercial galleries to autonomous spaces and city walls.

“Ainda Viva” (Still Alive), curated by Bruna Costa and Paula Borghi, is a group exhibition that presents works by Ana Linnemann, Pat Kilgore, Bruno Faria, Camila Moreira, Carol Azevedo, Darks Miranda, Ernesto Neto, Herbert De Paz, João Livra, João Porto, Leandra Espírito Santo, Karlla Girotto, Mônica Coster, Nati Canto, Nydia Negromonte, Paulo Nazareth, Xico Chaves, Zé Carlos Garcia and Zé Tepedino.