The Fortress of Bard hosts from November 30, 2024 to June 2, 2025 an exhibition that aims to celebrate the expressive power of Emilio Vedova's painting by moving away from historical or socio-political interpretations.
Guan’s first solo exhibition, held at Pump House Gallery (October 1st-14th, 2024), explored “Cultural Density,” focusing on the layers of meaning embedded within societies and spaces.
One of the great joys of “Endpapers” is how author Jennifer Savran Kelly folds the search for artistic and gender identity into the elements of the book form.
Last week, the Solomon R. Guggenheim Museum in New York opened Harmony and Dissonance: Orphism in Paris, 19101930, a presentation of more than ninety paintings, sculpture, and works on paper detailing the prewar artistic movement of Orphism.
After four years as general curator of the José de Guimarães International Centre for the Arts (CIAJG), in 2025 Marta Mestre will join the artistic project of the Museum of Contemporary Art/Belém Cultural Center (MAC/CCB), collaborating directly in the museum’s program.
This year’s edition will showcase 242 galleries from 42 countries and territories, with over half representing the Asia-Pacific—a clear testament to Art Basel’s role as a major platform in the region’s dynamic and eclectic art scene.
Despite his youth, Valencia’s work has been exhibited in prestigious galleries and art fairs, where he continues to impress collectors and critics alike.