India Art Fair presents Debanjan Roy’s evocative sculpture, which recontextualizes Gandhi’s iconic Dandi March by introducing a demolition hammer to comment on contemporary urban development and its societal ramifications, echoing thematic explorations by other artists across the extensive exhibition.
Leading First Nations artist Grace Lillian Lee introduces her signature exploration of Indigenous Australian heritage and sustainable design to the India Art Fair 2026, initiating a significant cross-cultural exchange with India's profound textile and craft legacies.
transmediale 2026, staged within CANK Neukölln’s commanding Brutalist architecture, critically deconstructs the perceived immateriality of digital networks, illuminating their material underpinnings, hidden labor, and complex ties to colonial extraction and environmental impact.
Unveiling over 90 paintings and drawings spanning several decades, the Royal Academy's extensive survey delves into Rose Wylie's singular artistic practice, revealing her consistent embrace of instinct, visual memory, and the interplay between lived experience and contemporary visual culture.
Presenting "In the Assembly of Lovers" at Art Basel Qatar, Sumayya Vally crafts a site-specific installation that reinterprets communal gathering traditions across the Muslim world, creating a dynamic, participatory architecture designed to evoke shared memory and cultivate future collective experiences.
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