At Z33, Hasselt, Vibeke Mascini's exhibition "Gust" materializes the unseen, employing installations and sound works to explore the ephemeral dynamics of breath, time, and the human relationship with technology and environment.
Unveiling a collaborative curatorial vision, "The Sound of" explores the poetic, social, and political potentials of sound in contemporary art, featuring participatory installations and sonic interventions by a significant group of artists.
Catherine Nichols' 18th Lyon Biennale presents an ambitious, multifaceted exploration of 'economy' across existential, relational, and industrial realms, yet its expansive scope occasionally eclipses the pressing material conditions of artistic production.
Sebastian Gladstone presents Herman Cherry's 1970 "River" series, revealing a nuanced abstract sensibility shaped by nature and unique color theory, offering a distinct perspective within the New York School discourse.
Issy Wood's inaugural solo exhibition of self-portraits at London's National Portrait Gallery launches their new Artist Focus program, presenting a nuanced exploration of intimacy and identity through fragmented representations.
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