The appearance of Caravaggio’s “Boy With a Basket of Fruit” at the Morgan Library & Museum is an occasion to be seduced anew by the dark master of the Baroque.
You feel the inexplicably greasy buttons of an old school uniform and are suddenly filled with rage. You fondly recall the snaps on a pair of jeans that were excitedly unfastened during your first sexual encounter.
Founded by Monika Sprüth and Philomene Magers, the gallery has maintained an artist-centric model built on sustained collaboration — remaining one of the few female-led institutions of its scale, and notably, one that has never lost an artist.
The initiative organizes Urban Art projects primarily on a voluntary basis and creates free spaces in which artists can work visibly — beyond illegality and constant displacement.
In his installation for Kunstverein Dresden, Tobias Izsó (1997, Vienna) creates a sculptural environment that oscillates between material contradiction and social construction.
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