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Colour, innovation in 150th annual exhibition
The Otago Art Society marks its 150th continuous annual exhibition with a record-setting display of contemporary innovation and diverse artistic mediums, reflecting a significant evolution from its founding principles.
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Seiran Tsunos ghostly dresses rest above the bearer and recontextualizes the human body. The Japanese artists fluorescent creations are designed using a 3D pen, and in creating this work, Tsuno cites her 75-year-old grandmother as her muse.
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Katherine Jones with her nicely syncopated collagraphs Canopy and Interval. She has curated the first two rooms in the Summer Show, the first with garden themes, the second tending towards abstraction.
Looking Up at Constable’s Sky
A scholarly re-examination of Constable's seasonal depictions frames broader art world developments, including Massimiliano Gioni's ascendance at the New Museum, the contentious removal of a prominent public artwork in Texas, and Surrealism's unlikely appearance on a World Cup jersey.
Of All That Separates and Binds Us: Whitney Biennial 2026
Unpacking the multifaceted impact of American authority, the 2026 Whitney Biennial interrogates contemporary art through the prisms of segregation and relationality that both divide and connect human experience across global landscapes.
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