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Venice Biennale 2024 Review: 'Foreigners Everywhere' explodes the Biennale model
Venice Biennale 2024 Review: 'Foreigners Everywhere' explodes the Biennale model

Close to the entrance is the Mexico City-born Frieda Toranzo Jaeger’s Rage is a Machine in Times of Senselessness, more than 15-metre wide; the Bangalore collective Aravani Art Project’s Diaspore, 27-metre across, arcs around the final Corderie room.

The Art Newspaper · 19 Apr, 2024 @ 10:08

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hannah_judah
hannah_judah

Quality lift time with @luogo_comune_ at @waterfordwalls. It was fantastic to meet this lovely Italian artist for the first time and document his process. Is this post an abuse of IGs bonkers new feature of posting up to 20 shots in one carousel?? Absolutely!