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Venice Biennale 2024 Review: 'Foreigners Everywhere' explodes the Biennale model
Venice Biennale 2024 Review: 'Foreigners Everywhere' explodes the Biennale model

Close to the entrance is the Mexico City-born Frieda Toranzo Jaeger’s Rage is a Machine in Times of Senselessness, more than 15-metre wide; the Bangalore collective Aravani Art Project’s Diaspore, 27-metre across, arcs around the final Corderie room.

The Art Newspaper · 19 Apr, 2024 @ 10:08

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