At Wilton Way Gallery, Annie Frost Nicholson's "No, no, Nothing I Can Think Of" confronts the complexities of personal grief, navigating profound family revelations and broader societal unease through a nuanced artistic inquiry.
See the ten most expensive works of art and find out what they sold for at auction in the Old Masters week.
For Gwen John's 150th-anniversary retrospective, JW Anderson, a dedicated collector of John's work, crafts interpretive cornettes that reimagine the nun's habit as a potent symbol of female representation and artistic repetition, echoing a central motif in John's later practice.
In the latest tranche of Epstein files, the Department of Justice's bizarre choice to obscure a ubiquitous image of the Mona Lisa, while simultaneously releasing unredacted victim information, raises pointed questions about its protocols and priorities.
At Harper’s Chelsea 512, Eleanor Johnson and Lydia Makin's exhibition, 'Entanglements,' explores the genesis of creative energy through a dynamic interplay of abstract natural forms and distorted human anatomies, echoing classical and Baroque aesthetics.
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