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× Expand Image Credit: The Magician, 2024, 32 x 44 inches, India ink, watercolor, and cotton thread on archival paper, (Image from the Joanne Casullo Collection at the CSSR Archive) Image Credit: The Magician, 2024, 32 x 44 inches, India ink, watercolor, and cotton thread on archival paper, (Image from the Joanne Casullo Collection at the CSSR Archive)
hall_art_foundation
Work in progress. In 1974 Schloss Derneburg was acquired by Georg Baselitz and his wife Elke. It became their home and his studio for the next 32?years.
‘No matter how bad it gets, there’s a lot going on with NFTs’: 24 Hours of Art, NFT Creator
After his fitness and wellness business was wiped out during COVID-19 in 2020, Dickerman stumbled on NFTs and has since reinvented himself as a leading voice in digital art.
artforum
Since the 1980s, Manfredo de Souzanetto has been using natural pigments extracted from the lands of Minas Gerais, Brazil, in a movement of ecological activism, making the earth the subject of his work, which moves between two- and three-dimensional planes, creating organic relie...
WILDER TIMES: Arthur Boyd and the mid-1980s landscape
On display until 13 October 2024, Bundanon has unveiled WILDER TIMES: Arthur Boyd and the mid-1980s landscape - a major new exhibition and live program of 80s-inspired events.
Love, Lust and Freedom
From the humdrum of the everyday to the experimental and, in some cases, potentially dangerous love life of parts of the queer community: In the photography exhibition Love, Lust and Freedom, international heavyweights, young talents and established photographers depict and insist on the human right to exist and express who you are.
‘Everything human-made is of interest to me’: Hildigunnur Birgisdóttir in Venice
It is a fascination she has explored for the Icelandic Pavilion at the Venice Biennale 2024, in an exhibition titled ‘That’s a Very Large Number - A Commerzbau’, which also draws inspiration from ‘Merzbau’, German Dada artist Kurt Schwitters’ method of creating immersive collages from found materials.