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Brancusi, Centre Pompidou review — effortless magic from the first modern sculptor
Brancusi, Centre Pompidou review — effortless magic from the first modern sculptor

Both broke down and reassembled subjects in abstract form, but their defining radical gestures in Paris in 1907 were already starkly different.

Financial Times · 04 Apr, 2024 @ 11:00

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Tobago CivilNET chair: Colonial relics damage the mind
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Closing Soon: ‘The Art of Dining, Food Culture in the Islamic World’ at the Detroit Institute of Arts
Closing Soon: ‘The Art of Dining, Food Culture in the Islamic World’ at the Detroit Institute of Arts

It’s unsurprising that food, such a central part of the animal—and thus, human—experience, has been a recurring theme in art, whether in the tantalizingly rendered fruits in Pompeian murals and medieval morality tales disguised in paintings as feasting scenes or, more recently, in works like Salvador Dalí’s Retrospective Bust of a Woman or Kathleen Ryan’s beautifully grotesque sculptures of mold-covered fruit.

Michel François: Escenas de Abandono at carlier | gebauer in Madrid
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Collection in Focus | Faith Ringgold at Guggenheim in New York City
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How a New Portfolio of Lost Paul Cadmus Drawings Is Redefining His Legacy
How a New Portfolio of Lost Paul Cadmus Drawings Is Redefining His Legacy

His paintings and drawings detailed urbanites “carousing in queer postures,” that is: slouching, leaning, or draping arms around one another in the locker room; bending, spinning, and twisting legs in angles that look impossible to hold for long all the while lollygagging along New York City’s piers.