Through their "Misfits" exhibition at Simmons University's Trustman Art Gallery, Masha Keryan and Lavaughan Jenkins unpack the boxer as an empathetic contemporary archetype, engaging themes of gender, race, and class within a layered exploration of persistence and strength.
Highlighting a unique cultural exchange, the "Dutch Life on Display" exhibit at Van Raalte Farm Park features 50 authentic costumes and intricate jewelry, acquired from an Amsterdam museum, offering a granular look into the sartorial heritage of four distinct Dutch provinces.
For the Aotearoa New Zealand Pavilion at the Venice Biennale, Fiona Pardington's 'Taharaki Skyside' unveils large-scale photographic portraits of taxidermied native birds, critically addressing the intertwined histories of colonial collection, museological frameworks, and environmental imperilment.
Documenting an 18-month artist residency at Delhi’s Dr Shroff’s Charity Eye Hospital, Stuart Robertson’s latest exhibition captures the daily rhythms of patient care and the profound act of seeing, utilizing photography, drawings, and unique cyanotype prints of the inner eye.
Larissa Sansour's 'Rogue Agents of History' at Wereldmuseum Amsterdam delves into the artist's signature use of science fiction, myth, and documentary to interrogate and recast historical narratives, illuminating complex themes of identity and memory from a Palestinian perspective.
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