Text messages among University of North Texas leaders suggested that an art exhibit was closed in the College of Visual Arts and Design last month because the work violated updated policy.
According to a plaque at the site, the sculpture was installed by an anonymous artist collective known as “The Secret Handshake.” The plaque describes the relationship between the two men as a “tragic love story,” using satirical language referencing “luxurious travel, raucous parties, and secret nude sketches.”
Despite ongoing management turmoil, there is a buzz around this art and antiques year’s fair in the Netherlands, as it welcomes more works from the past 100 years to its traditional roster.
Few exhibitions make the gap between the United States and the rest of the world’s art capitals so blatant than “Sandra Vásquez de la Horra: The Awake Volcanoes” at Institute of Contemporary Art, Los Angeles.
In 15 years, dealer Garth Greenan has established a reputation not through headline-grabbing speculation on ultra-contemporary market darlings or glamorous openings, but by quietly developing a solid program that has grown alongside artists whose careers have become institutionally validated.
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