A video tour of the exhibition “Tricia Earl: What Cannot Be Erased,” on view at Landmark Arts Gallery at Texas Tech University in Lubbock.
Hidden agency, bare desire, and quiet possession take form in Chaozhou-born, London-based
Colonial frameworks have oriented most of us to think of African art as a set of artifacts defining ancient civilizations or, using the lens of ethnography, as ritual objects isolated from the larger human phenomenon of creative expression.
The Harmattan Festival was born from a desire to explore how photography can become a tool for rethinking the African imagination, building new connections between…
It also aligns with the 40th anniversary of the photobook’s publication.
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