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In Venice, the German pavilion reframes an uneasy postwar past – and present
At the German pavilion in Venice, curator Kathleen Reinhardt, alongside artists Sung Tieu and Henrike Naumann, recontextualizes the site's fascist architecture by bringing forth overlooked East German narratives, from the experiences of Vietnamese contract workers to the persistent threads of far-right ideologies shaping the present.
The Hyperstitional Pavilion of Iran
At the 61st International Venice Biennale, The Hyperstitional Pavilion of Iran presents "Hulul: On Incarnation and Incantation," a conceptual intervention critically examining Iranian identity, embodiment, and utterance for artists and curators operating under duress.
Igshaan Adams: Unsettling Dust—The Body’s Archive
Igshaan Adams' site-specific work at the Guggenheim Bilbao interrogates embodied histories through multidisciplinary installations that integrate intricate weaving with collaborative dance prints, revealing how personal and systemic forces shape lived spaces.
Sean Scully: The Nature of Art
Unfolding a six-decade oeuvre, Sean Scully's "The Nature of Art" at Lisson Gallery posits an ontological claim on artmaking, demonstrating how abstraction and figuration remain inextricably bound within his evolving visual lexicon.
James Turrell: Lifting the Veil at Gagosian Gallery in Hong Kong
Gagosian Gallery presents an exhibition of works by James Turrell, May 28 until August 01.
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