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According to image theory, ethnology and anthropology, Sosunova constructs a research where tradition interacts with market economy, folklore with production, cultural value with monetary value, all pervaded by “love, fanaticism, hope, and melancholy”[1].
Connor Wright’s Blur of Masculinity, Risk, and Performance
Among the works within his debut solo exhibition, “Alexa, Truth or Dare?,” Wright’s 'Untitled' crosses into a psychological landscape wherein superstition, athleticism, and the ecstatic collide.
Greek master’s Indian odyssey comes alive after 67 yrs
New Delhi: Sixty-seven years after celebrated Greek modernist Nikos Hadjikyriakos-Ghika travelled across India, his impressions captured in a delicate.
Kate Balfe
She attended Sheridan College in Oakville briefly before transferring to the Emily Carr University of Art and Design, where she earned a degree in Classical Animation.
Made in LA biennial contemplates wildfires and immigrant arrests
The Hammer Museum’s director, Zoë Ryan, acknowledged this during her introduction at the preview of the seventh edition of the museum's Made in LA biennial exhibition (until 1 March 2026).
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