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Examining the complex lineage from Lodwick Pollak’s discovery of the Discobolus to Hitler’s idolatry and the alt-right’s co-option of classical aesthetics exposes how notions of martial power and racial purity are continually drawn from antiquity to serve authoritarian ends.
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Morocco Announces Its First National Pavilion at the Arsenale for the 61st Venice Biennale
The Kingdom of Morocco’s inaugural national pavilion at the Arsenale will present Amina Agueznay and Meriem Berrada's "Asǝṭṭa," a monumental installation meticulously exploring the transmission of traditional Moroccan craftsmanship and collective memory.
Mai Naito’s Impressionist Lens and the Re-Stitching of the Human-Nature Bond
Mai Naito meticulously crafts digitally layered, multiple-exposure photographs that mimic Impressionistic paintings, subtly inviting viewers into a therapeutic engagement with nature and advocating for its preservation.
Archives : Henri Dauman, coming out of the shadows
Photographer Henri Dauman, a 'war orphan' and photojournalist whose cinematic vision chronicled sixty years of American life from the streets of Manhattan, is now celebrated through an ambitious retrospective and an upcoming biographical documentary.
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