As New York's art establishment contends with the revelations of the Epstein files, its galleries simultaneously present profound artistic responses, from Goya's searing critiques to the hopeful resilience found in Amazonian traditions.
The National Park Service's quiet removal of the rainbow flag, the first to permanently adorn federal land, from New York's Stonewall National Monument is prompting accusations of historical erasure and reigniting debates on cultural symbols within federally protected sites.
Arthur Simms's practice, exemplified by his intricate use of rope and line, orchestrates a dialogue between concealment and revelation, drawing on Congolese Nkisi traditions to imbue forms with profound spiritual and cultural resonance.
Jo Fleming Contemporary Art inaugurates 2026 with 'Tender is the Mend,' an exhibition featuring Jo Fleming's abstract collages and Isabelle Robinson's three-dimensional sculptures, both meticulously exploring repair and transformation through layered and reassembled materials.
Composed of three distinct voices from varied sectors of the photographic world, Collectif Vives! redefines contemporary curatorship through collaborative exhibition design, seeking to bridge established and emerging artists with fresh narrative approaches.
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