Commuters can now see striking portraits of immigrant New Yorkers at work.
Today’s art fairs have become far more than cultural and commercial events; they operate as platforms of visibility, machines of global branding and instruments of geopolitical power.
The exhibition O Eco das Palavras Mudas, which brings together works by artists
A Mondrian painting from 1938 as stripped-down as you will ever see, and a rare glimpse into an artists working methods that reveal the evident fastidiousness underlying his paintings.
The image-maker, whose work centres visibility and dignity for Black queer subjects, receives £162k.
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