At The New Museum, Arthur Jafa's "I Am Tony" confronts viewers with a discontinuous repository of Black visual identity, employing "Black Visual Intonation" to manifest a raw, risky engagement with the multifaceted Black experience.
Uncover the prescient insight of dealer Katia Granoff and patron Jeanne Schlumberger, who championed Claude Monet's radical late works, exemplified by the monumental "Iris," discerning their profound resonance with nascent 20th-century abstraction.
At Susan Inglett Gallery, Channing Hansen's Metaphotical Spectra delves into the nexus of light, computation, and biology, manifesting algorithmic structures through hand-knitted textiles that render biophotonic and metaphysical phenomena perceptibly material.
Cannupa Hanska Luger's latest exhibition, "American Traditional," at Garth Greenan Gallery marks a departure from his signature participatory ceramics, employing wood, ink, and archive to powerfully confront the historical eradication of bison and its enduring reverberations for Indigenous America.
Moloko Print's latest release offers an intimate exploration of Brion Gysin, a multidisciplinary artist and cultural bridge-builder, through a collection of personal encounters and shared experiences across his diverse life.
Get the HENI News Daily Art Digest delivered to your inbox