Yidi Wang delves into her interdisciplinary new media practice, elucidating how a clinical aesthetic frames her performance-based investigations into personal themes of motherhood, technology, and posthumanism, exemplified by her pivotal installation, Post-Birth.
An expansive Valentine's Day presentation brings together twelve compelling photographic practices that variously explore raw intimacy, defiant eroticism, and the enduring complexities of desire across diverse social and cultural landscapes.
South Africa’s ambassador in Rome has revealed the country's arts minister told her on February 6 that a decision had been made not to exhibit any work in South Africa’s pavilion at the Venice Biennale.
During Mexico City’s Art Week, the “Reuse: Architectures of Almost Nothing” exhibition activates a former factory with experiential, site-specific installations from international practices, foregrounding material attitude and minimal intervention in architectural discourse.
British Pakistani curator Nav Haq, with his established emphasis on coexistence and progressive internationalism, is set to shape Lahore Biennale 04 into an examination of cross-border exchange and new solidarities, strategically coinciding with the eightieth anniversary of Pakistan's independence.
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